Artist Information:
Danny S Christian
Jakarta,
Indonesia
Member Since: Dec 2001
contact artist
|
|
Artist Statement:
Natural light is the most important element in my paintings, whether it comes as early morning light seen through a misty veil, noonday bright sunlight or a late afternoon glows.
The beauty of this light may evokes one’s feeling toward an otherworldly sense, taking one’s spirit and mind toward a deep admiration on this wonderful created nature and adoration toward the Creator of it.
After years of searching, I chose watercolor as a medium because it can serve best in expressing what I feel and see in the Nature on a piece of plain paper. Letting its white luminosity shines through layers of transparent color. Giving me lots of freedom to execute the work while ‘playing’ with the paint, enjoying every stroke and splash I made.
I believe that the true measure of success for myself is when my paintings can draw people’s heart nearer toward The One who creates all beautiful things we can enjoy in this life.
...
Further Information
| |
Artist Exhibitions:
Coming Soon!
|
|
Artist Galleries:
Some of my paintings are on display at:
1. Cafe de Paris
Jl. Kemang Raya No.90, Jakarta, Indonesia.
Phone: 62-21-71793470, Fax: 62-21-585934
Contact: Ms. Marlene Kosasih...
Further Information
|
|
Artist Reviews:
Coming Soon!
|
|
|
|
Commissions:
Coming Soon!
|
|
|
Danny S Christian's Free Artist Portfolio
Welcome to Danny S Christian's Portfolio. Browse Christian's body of work: Natural light is the most important element in my paintings, whether it comes as early morning light seen through a misty veil, noonday bright sunlight or a late afternoon glows.
The beauty of this light may evokes one’s feeling toward an otherworldly sense, taking one’s spirit and mind toward a deep admiration on this wonderful created nature and adoration toward the Creator of it.
After years of searching, I chose watercolor as a medium because it can serve best in expressing what I feel and see in the Nature on a piece of plain paper. Letting its white ... | |
|
|