Artist Information:
Darryl Baird
Fenton, MI
United States
Member Since: Jan 2003
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Artist Statement:
I’m interested in how our visual world has been constructed by the invention and practice of photography. Primarily, I’m interested in how the photograph became associated with notions of truth or evidence in our society, but I’m also intrigued by the creation of an “image-consciousness” that fuels a consumer economy and creates photographic "standards."
Using our eyes we receive the visual world through the process of human sight -- an organic process of recording sensations. The images arrive in momentary glimpses, transmitted and recorded by impulses of light on our eye’s retinal surface and then transmitted as electronic stimuli to our brain. Our brain continues to process this stream of imagery, allowing only a fraction of a second for identification and assimilation of each image into meaningful information. To continue to process images we receive, we must rely on memory, or rather our ability to hold an image as a visual thought. In a corresponding fashion, photographs are records of (usually) short durations of light and chemically retained on sensitized surfaces, yet they are durable and available for prolonged scrutiny -- tiny details and spatial context are infinitely reviewable. What could be a better system for better...
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Artist Exhibitions:
Solo Exhibitions
2001
Greater Flint Arts Council, Flint, MI
Weitman Gallery, Washington University, St. Louis, MO
2000
University Center Art Gallery, LSU-Shreveport, Shreveport, LA
Robert May Gallery, University of Kentucky, Lexington, KY
1999
Artist Residents of Chicago Gallery, Chicago, IL
"Pictures from the Attic", DeWaters Gallery, Mott Community College...
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Artist Galleries:
Photoeye - Showcase galleries, Santa Fe, NM
http://www.photoeye.com/darrylb aird...
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Darryl Baird's Free Artist Portfolio
Welcome to Darryl Baird's Portfolio. Browse Baird's body of work: I’m interested in how our visual world has been constructed by the invention and practice of photography. Primarily, I’m interested in how the photograph became associated with notions of truth or evidence in our society, but I’m also intrigued by the creation of an “image-consciousness” that fuels a consumer economy and creates photographic "standards."
Using our eyes we receive the visual world through the process of human sight -- an organic process of recording sensations. The images arrive in momentary glimpses, transmitted and recorded by impulses of light on our eye’s retinal surface and then transmitted... | |
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Aqueous Humor 1, 1997 Computer Art, 18 x 18 inches Price: US$ 700 €: 447 UK £: 346 ¥en: 69528
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Aqueous Humor 2, 1997 Computer Art, 18 x 18 inches Price: US$ 700 €: 447 UK £: 346 ¥en: 69528
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Aqueous Humor 3, 1997 Computer Art, 18 x 18 inches Price: US$ 700 €: 447 UK £: 346 ¥en: 69528
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Aqueous Humor 4, 1997 Computer Art, 18 x 18 inches Price: US$ 700 €: 447 UK £: 346 ¥en: 69528
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Aqueous Humor 5, 1997 Computer Art, 18 x 18 inches Price: US$ 700 €: 447 UK £: 346 ¥en: 69528
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Aqueous Humor 6, 1997 Computer Art, 18 x 18 inches Price: US$ 700 €: 447 UK £: 346 ¥en: 69528
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