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Artist Statement:
My imagery is about discovery. It takes me to places I have never been, places that free me from the pressures of a clock driven world, places that heal. I'm most excited when in tune with the underlying flow and energy of the ordinary. I seek to reveal the essence of a moment or place gone unnoticed. I love showing things in new ways, using the elements of surprise, mystery and playfulness, fused with design and movement.
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Artist Exhibitions:
SELECTED SHOWS
Coos Art Museum, Coos Bay, OR, Oct. 10 - Dec. 1, 2007
Sycamore Fine Arts, Goshen, IN, April, 2007
Davis and Cline Gallery, Ashland, OR, November, 2006 •
The Art of Digital, San Diego, CA, October, 2006
The Photo Review International Competition, Langhorne, PA 2006
High Desert Museum, Bend, OR ...
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Artist Galleries:
Galleryprint
Davis and Cline Gallery
Darkroom Gallery
Digital Art Museum
Tryst
Samsara Quarterly
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Collections:
IBM
Dupont
Verizon
Franklin Mint
ARCO Chemical
Hawthorne Suites
Johnson & Johnson
Curtis Financial Group
Teleflores International
Parente Randolph Limited
University of Pennsylvania
Children's Hospital of Philadelphia
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Commissions:
Coming Soon!
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Reviews for David Lorenz Winston:
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Press Release:
“Moments Suspended:
Diary of a Visual Eavesdropper”
Thirty years ago, I was a guest in a French farmhouse at the foot of a mountain in Grenoble. The Cottage was home to a large family that saw no need for electricity in their lace-curtained bastion that had survived the Napoleonic War.
As bedtime drew near, another guest, a young woman in a long white nightgown, approached the family’s grand piano in the corner of an otherwise empty parlor. At the edge of the candelabra’s glow from above, she began to play Rachmaninoff’s “Rhapsody on a Theme of Paganini.”
Midway through, a rumble of thunder engulfed the house and lightning tore through the windows, momentarily blinding. Still, her music circled without hesitation until declaring a final silence -- punctuation dwarfing the storm’s violence.
Every time I see a new work by David Lorenz Winston, I relive that night. His images are quiet, dark, vulnerable, yet melodic and infused with a clarity so profound that the insight is violent and the void into which it escapes stunning. I feel that he is unequalled in his mastery over the marriage of the digital manipulation of razor-sharp “facts” that express haunting truths encompassing them.
Linda Griffith
Director of Giving Gallery
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