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Artist Statement:
I am currently taking on a limited number of commissions. Please contact me swiftly and directly using the phone number or email address on this site.
Thanks
Dylan
http://dylanlisle.blogspot.com/
The academic or technical aspects of painting and drawing have always fascinated me. I have striven to challenge ...
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Artist Exhibitions:
2000
BA Honours Fine Art – Gray’s School of Art, Aberdeen
Aberdeen Artists – City Gallery, Aberdeen
R.S.A – Edinburgh
The Knock Gallery – Crathie, Aberdeenshire
Graduate Show – The Strathearn Gallery, Crieff, Perthshire
New Faces – The Leith Gallery, Edinburgh
Christmas Show – The Torrance Gallery, Edinburgh
Christmas Show – The Queens Road Gallery, ...
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Artist Galleries:
Currently represented by
The Medici Gallery - Cork Street - Mayfair - London
Contemporary Fine Arts Eton - Windsor - Eton
Tracey McNee Fine Arts - Glasgow/ London
Open Studio at
http://www.coburghousestudios.b logspot.com/
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Collections:
Coming Soon!
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Commissions:
I am available for Portraits but I would prefer to produce work in line with my usual practice. A selection of rough sketches can be emailed to choose from. Alternatively, If you have seen something that has sold and would like a similar piece get in touch.
Prices and sizes...
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Review Aberdeen Press and Journal - Roddy Phillips
There is only one male figure in Dylan Lisle’s superb exhibition which opens today at The Carby Art Gallery in Cotton Street, Aberdeen.
Even though the painting features Dylan himself, he hadn’t noticed that it was the only male in the show.
Such is the extent of Dylan’s focus on his chosen subject, the female form.
Inspired by Painters such has Caravaggio who set figures in an intensely dramatic light; Dylan has undertaken his own personal artistic journey exploring the female figure.
His draughtsmanship and techniques may seem faultless and highly enviable to the viewer but Dylan is obviously a young artist on an age-old quest for perfection.
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Hope Robertson 2007
Dylan Lisle’s work maintains a contemporary dynamism through his old masterly representations of the female form. Knots and swathes of vibrant, passionate fabric envelope his sensuous figures, or otherwise are the subject of larger studies, which draw upon chiaroscuro, reminiscent of Caravaggio, Rembrandt, Vermeer and Rubens. His work is instantly approachable, engagingly serene and romantically charged; traits that have not gone unnoticed in the art world he inhabits.
Fresh from his first London solo exhibition, Dylan Lisle spearheads a modern movement of artists, whose desire it is to capture light in all its glorious subtleties, texture in its infinite tactile qualities and the female form in its evasive beauty.
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