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Dylan Lisle's Main Portfolio Page
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Artist Information:
Dylan Lisle
edinburgh,
United Kingdom
Member Since: Oct 2005
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Artist Media:
Drawing Charcoal (3)
Painting Oil (24)
Artist Exhibitions:
2000
BA Honours Fine Art – Gray’s
School of Art, Aberdeen
Aberdeen Artists – City
Gallery, Aberdeen
R.S.A – Edinburgh
The Knock Gallery – Crathie,
Aberdeenshire
Graduate Show – The Strathearn
Gallery, Crieff, Perthshire
New Faces – The Leith Gallery,
Edinburgh
Christmas Show – The Torrance
Gallery, Edinburgh
Christmas Show – The Queens
Road Gallery, ...

Further Information
Artist Galleries:
Currently represented by

The Medici Gallery - Cork
Street - Mayfair - London

Contemporary Fine Arts Eton -
Windsor - Eton

Tracey McNee Fine Arts -
Glasgow/ London

Open Studio at

http://www.coburghousestudios.b
logspot.com/
...

Further Information
Artist Reviews:
Review Aberdeen Press and
Journal - Roddy Phillips

There is only one male figure
in Dylan Lisle’s superb
exhibition which opens today
at The Carby Art Gallery in
Cotton Street, Aberdeen.
Even though the painting
features Dylan himself, he
hadn’t noticed that it was the
only male in the ...

Further Information
Collections:
Coming Soon!
Commissions:

I am available for Portraits
but I would prefer to produce
work in line with my usual
practice. A selection of rough
sketches can be emailed to
choose from. Alternatively, If
you have seen something that
has sold and would like a
similar piece get in touch.

Prices and sizes...

Further Information

Artist Statement for Dylan Lisle

I am currently taking on a limited number of commissions. Please contact me swiftly and directly using the phone number or email address on this site.
Thanks
Dylan

http://dylanlisle.blogspot.com/


The academic or technical aspects of painting and drawing have always fascinated me. I have striven to challenge myself creatively by utilising methods and processes pioneered by masters such as Caravaggio and Zurburan. Techniques such as monochromatic underpainting, velatura, glazing and dry brush are modified to found working processes particular to each focus. The process of learning and the acquisition of knowledge in these areas is a fervent motivation. Each painting could be understood as an exercise in the mastery of technique.

With the aid of life models I am able to explore my interests in anatomy. The poses are normally based around particular physical dynamics such has the torsion of a body, the tension in a muscle group or the weight of a limb. I attempt to deconstruct the inherent characteristics of a subject in order to represent them accurately and convincingly.

The style of this work stems from my long held admiration of Baroque and Classical art. The strong chiaroscuro lighting of Caravaggio and the tactile dynamics of titian’s drapery have been of great influence to me. I have borrowed elements of these styles and married them with unusual and challenging poses more reminiscent of contemporary work. The juxtaposition of these contrasting approaches hopefully culminates in something that, whilst remaining progressive, pays homage to the fading notion of painting as a skilful craft.

I have just started an internet based journal/blog which will be updated daily. I will keep you all up to date with the progress of my work and give insight into my working methods.

Regards
Dylan Lisle

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