|
|
|
|
|
|
Artist Exhibitions:
SOLO EXHIBITIONS
2006: "Shades of Nature": Gallery of Caribbean Art, Barbados
2004: "Colors of The Caribbean": Gallery Of Caribbean Art, Barbados
2003: "Kaliedoscope": Queens Park Gallery, Barbados
GROUP EXHIBITIONS
2007: "Silk Is…": US District Courthouse, Greenbelt, MD.
2006: "Emerging Visions on Silk": Ratner Museum, Bethesda, MD.
2006: "Orchids in Art": ...
Further Information
|
|
Artist Galleries:
Gallery Of Caribbean Art, Speightstown, Barbados.
Gallery Of Caribbean Art, Hilton Hotel, Barbados.
Horizons Gallery, Trinidad.
Instant Karma Gallery, Fuquay-Varina, NC.
Fallons Creative Flowers, Raleigh, NC.
Whole Life Center, Raleigh, NC....
Further Information
|
|
Artist Reviews:
PICTURES ALL SPUN IN SILK
Nature is highlighted at the Gallery of Caribbean Art, Speightstown, where artist Deborah Younglao in “Shades Of Nature” presents exotic works on silk.
Using imagination and several pages out of Nature's book, and sensual silk as a backdrop and vivid fabric dyes (applied like ...
Further Information
|
|
Collections:
Coming Soon!
|
|
Commissions:
The Lundes, Salem, SC, USA.
S. Johnson, Sunset Beach, NC, USA.
Coastal Cat Clinic, Jacksonville, NC, USA.
M. Economy, Raleigh, NC, USA....
Further Information
|
|
|
Artist Statement for Deborah Younglao
|
|
|
I create paintings using silk as my canvas and liquid dyes as my paint. The dyes, which are painted in layers with a paintbrush, spread as soon as they touch the silk. The way the transparent dyes move and blend on the silk is like a dance, which I find endlessly fascinating. Silk has a luminous quality unmatched by any other natural fiber, and because the transparent dyes actually become part of the fabric instead of sitting on the surface, they sparkle with wonderful brilliance. Spontaneous and unpredictable textural effects are created when substances like salt, sugar, water or ethanol are added while the silk is still wet. I enjoy the challenge of not having complete control of my medium and am always surprised by the outcome, most of the time pleasantly. For clearly defined shapes, I draw the outlines with a liquid resist, which encloses the dyes within its borders, or I paint on hot wax to preserve colors that I don’t want changed by subsequent layers of dye. As the dyes move and merge on the silk, the result is a creation that can never be reproduced exactly, so that each piece is truly one-of-a-kind. After painting, the dyes are heat-set to make them permanent and the resist or wax removed. The finished paintings are mounted on acid free foamboard and framed.
|
|