Artist Information:
Elizabeth Branley
BLYTH,
United Kingdom
Member Since: Jun 2005
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Artist Statement:
Artist Statement
It is not unusual to see
tragic or emotionally
provoking subjects depicted as
art or romanticised by the
media. I wish to show how such
deep, dark thoughts, for
example those of being trapped
in depression, can be
portrayed as romantic notions.
Consider the painting by John
Everett Millais of “Ophelia”
from Shakespeare's Hamlet;
Ophelia allows herself to
drown. The painting is
beautiful; the artist has
portrayed grief and death in a
manner that is pleasing to the
eye.
Likewise, William Holman Hunt
painted Isabella and the pot
of basil from a John Keats's
poem, in the pot is her dead
lover's head. Realistically
this idea should fill us with
horror, yet the painting is
lovely and portrays a romantic
idea of lost love.
Stephen Hilyard's “King Wave”,
which features five large
images of waves, has been
paired with smaller images of
cemetery tombstones with
soft-focus lettering that
helps to soften and
romanticise the concept of
death; both are reference to
human demise. King Wave offers
a strong example of
contemporary approaches to
mortality, which contrast the
theatricality of the sublime
with the banality of death. It
has been suggested that this
work...
Further Information
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Elizabeth Branley's Free Artist Portfolio
Welcome to Elizabeth Branley's Portfolio.
Artist Statement
It is not unusual to see tragic or emotionally provoking subjects depicted as art or romanticised by the media. I wish to show how such deep, dark thoughts, for example those of being trapped in depression, can be portrayed as romantic notions. Consider the painting by John Everett Millais of “Ophelia” from Shakespeare's Hamlet; Ophelia allows herself to drown. The painting is beautiful; the artist has portrayed grief and death in a manner that is pleasing to the eye.
Likewise, William Holman Hunt painted Isabella and the pot of basil from a John Keats's poem, in the pot is her dead lover's head. Realistically this idea should fill us with horror, yet the painting is lovely and portrays a romantic idea of lost love.
Stephen Hilyard's “King Wave”, which features five large images of waves, has been paired with smaller images of cemetery tombstones with soft-focus lettering that helps to soften and romanticise the concept of death; both are reference to human demise. King Wave offers a strong example of contemporary approaches to mortality, which contrast the theatricality of the sublime with the banality of death. It has been suggested that this work... |
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