Artist Information:
Emma Carter
preston paignton,
United Kingdom
Member Since: Nov 2006
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Artist Statement:
Emma Carter takes a meditative
approach to her paintings.
She draws her inspiration from
the ever changing natural land
and seascapes that surround
her, which she then expresses
on paper or canvas as a
reflection of her mind, her
memory and her vision of these
beautiful places.
Having traveled extensively
from the tops of the Himalayas
and Andes, to the coral reefs
of the Great Barrier and the
depths of the Amazon, her
imagination has been fired by
some of the most sacred and
stunning places.
The scenes in many recent
paintings have been inspired
by the noble timeless English
coastline, mostly in and
around Devon and Cornwall.
‘I have very fond memories
of spending time with family
and friends out on the ocean
or on the beautiful open
beaches or sheltered hidden
coves accessed by little
grassy tracks or rambling sand
dunes.
Having spent much time at my
family home on Burgh Island,
South Devon, I have felt an
affinity with the coast since
being a child. The freedom and
honesty that encompasses you
are out there amongst the
elements is one of life’s
great constants. Timeless and
truthful, in essence we are
stripped back and become the
...
Further Information
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Artist Exhibitions:
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Artist Galleries:
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Artist Reviews:
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Collections:
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Commissions:
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Emma Carter's Free Artist Portfolio
Welcome to Emma Carter's Portfolio. Browse Carter's body of work: Emma Carter takes a meditative approach to her paintings. She draws her inspiration from the ever changing natural land and seascapes that surround her, which she then expresses on paper or canvas as a reflection of her mind, her memory and her vision of these beautiful places.
Having traveled extensively from the tops of the Himalayas and Andes, to the coral reefs of the Great Barrier and the depths of the Amazon, her imagination has been fired by some of the most sacred and stunning places.
The scenes in many recent paintings have been inspired by the noble timeless English ... |
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