Artist Information:
Marianna Fekete
Paris,
France
Member Since: Nov 2003
 contact artist
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Artist Statement:
Most of the time I paint while
listening to contemporary
music of a repetitive nature.
This background music has an
undeniably dynamic effect upon
me and my creativity.
The relationship between music
and painting is all the
clearer because we call into
play rhythms, vibrations,
different tonalities, elements
of form and matter which may
find a reference in creating
structure within space.
As music evolves in time, and
as I must work within two
dimensions, and as I must make
choices in dividing the field
of vision in creating rhythms,
which I find the most
appropriate at the optimal
moment ...
But it is sometimes
insufficient, and I am
compelled to seek out
extensions in the form of
diptychs and triptychs to
improve the portrayal of
infinite continuity and
movement, etc...
...
Further Information
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Artist Exhibitions:
1992 Gallery of Haut-Pavé
Paris France
1994 House of Arts Pécs
Hungary
1996 Institut Hongrois Paris
France
1997 French Institut in
Budapest Hungary
1997 Salle de la Légion
d'Honneur Saint-Denis France
1998 Traits d'union-La Galerie
du Haut-Pavé Paris France
1999 Museum of ...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Marianna Fekete's Free Artist Portfolio
Welcome to Marianna Fekete's Portfolio. Browse Fekete's body of work: Most of the time I paint while listening to contemporary music of a repetitive nature. This background music has an undeniably dynamic effect upon me and my creativity.
The relationship between music and painting is all the clearer because we call into play rhythms, vibrations, different tonalities, elements of form and matter which may find a reference in creating structure within space.
As music evolves in time, and as I must work within two dimensions, and as I must make choices in dividing the field of vision in creating rhythms, which I find the most appropriate at the optimal moment ...
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