Artist Information:
Arpad Forgo
Debrecen,
Hungary
Member Since: Sep 2004
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Artist Statement:
System of lines
Paintwelts &<8211; understood
as lines or system of lines
&<8211;which cover the whole
surface of most of my works
somehow became my voice and my
language. I create them by
applying thick paint onto the
canvas. These statuesque
shapes rise from the plane of
the canvas, bringing sheen,
consistency and corporal
properties of paint to the
foreground.
I am striving for simplicity
and formal reduction in my
works. A relationship between
geometric abstract- and
concrete art is apparent in my
works from the year 2000
onwards. The use of geometric
fundamentals and simple shapes
show a connection to the
strata of systemetic painting.
Apart from creating
autonomous pieces, I like to
produce specific themes in
series and/or pairs.
Looking at a work from a
distance. A vibrating optical
effect becomes visible, which
occurs from the shift of light
on the top of the paintwelts
and the shadows casted by the
textured lines. All are
arranged into a geometric
configuration. Areas shaped
by different groups of lines
are changing to the fore- and
background, generating a
specific experience within the
artwork. By changing the
viewpoints, different visual
components become prominent,
so one can even experience an
...
Further Information
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Artist Exhibitions:
Biography
Arpad FORGO
Lives and works in Budapest,
Hungary
E-mail: info@forgoarpad.hu
Web: www.forgoarpad.hu
STUDIES
1991-1995 Eszterhazy Karoly
Teachers' Training College,
majoring Fine Arts, Eger,
Hungary
1986-1990 Arts Faculty at Ady
Endre Highschool, Debrecen,
Hungary
1988 Medgyessy Ferenc Fine
Arts Workshop, Debrecen,
Hungary
1987 ...
Further Information
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Arpad Forgo's Free Artist Portfolio
Welcome to Arpad Forgo's Portfolio.
System of lines
Paintwelts &<8211; understood as lines or system of lines &<8211;which cover the whole surface of most of my works somehow became my voice and my language. I create them by applying thick paint onto the canvas. These statuesque shapes rise from the plane of the canvas, bringing sheen, consistency and corporal properties of paint to the foreground.
I am striving for simplicity and formal reduction in my works. A relationship between geometric abstract- and concrete art is apparent in my works from the year 2000 onwards. The use of geometric fundamentals and simple shapes show a connection to the strata of systemetic painting. Apart from creating autonomous pieces, I like to produce specific themes in series and/or pairs.
Looking at a work from a distance. A vibrating optical effect becomes visible, which occurs from the shift of light on the top of the paintwelts and the shadows casted by the textured lines. All are arranged into a geometric configuration. Areas shaped by different groups of lines are changing to the fore- and background, generating a specific experience within the artwork. By changing the viewpoints, different visual components become prominent, so one can even experience an ... |
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