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My work can be classified as conceptual installation art.
It deals with social, political, and environmental themes. I refer to it as "projects", rather than "artworks" - working like a field-investigator, doing a lot of research, and reflecting on my own involvement in this process.
My maxim is that art should be an open and provisional system of processing and portraying socially and politically relevant views. I don't work as a propagandist - I'm more interested in how subjective ideas and experiences, prejudices, and preferences enter seemingly objective discourses. It is important to me to connect my art with society where it can function as a corrective for experiences in reality.
Materials are found objects in combination with other media - neon, photography, video, sound. etc. I often use every-day articles in my work, investing the mundane and the ordinary with an element of transcendence.
Although I have got extensive training in painting techniques, and also worked as a pavement painter for several years, for a long time my artistic expression did not go in this direction. “Material” was always very important to me and this attitude found expression in installations and objects.
When in the literally first days ...
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KOAN, 2011
Other Sculpture,
20 x 20 X 5 cm
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| US$ 220 |
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BIG OPERA, 2011
Other Sculpture,
44 x 44 X 20 cm
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| US$ 980 |
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NORMALZEIT, 2007
Other Sculpture,
2 x 6 X 2 inches
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| US$ 700 |
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