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Artist Exhibitions:
Group, Solo & International
Exibitions Works
2004
* "Premio Luis Hochschild
Plaut IPAE"
CONCURSO DE ESCULTURA
CADE 2004
Monterrico, Lima - Perú.
* "REMATE DE CUADROS DE
PINTORES PERUANOS"
at the Social Casino
Club Miraflores, Lima - Peru
2001
* "BARRO, VIDRIO,COLOR"
At the Art Gallery
Bohemia, Lima - Peru
2000
* "COLECTIVA 2000"
At the Art ...
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Artist Galleries:
"THE 2nd INTERNATIONAL
CERAMICS COMPETITION, 89"
In Mino Japan. Tajimi City,
Japan
Gains HONORABLE MENTION
present of Outstanding
Achievement. Hall title
of the Work:
"FIRE DANCING LADY" in
permanent Exhibition in Tajimi
Cultural Hall, Tajimi City,
Gifu Japan.
The ceramics works,
"Flyind Dreams" is at the
Mizunami Junior High School...
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Artist Reviews:
REVIEWS:
Newspaper:
Diario Peruano "El Comercio"
Lima
* February 20 of 1989
* March 8 of 1989
* November 18 of 1989
* January 17 of 1990
* February 2 of 1990
* February 20 of 1990
* June 27 of 1990
* June 29 of 1990
* July 1 of 1990
* December 4 of 1990
* December 16 of...
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Collections:
Her Ceramics, Glass Sculptures
and Oil Paintings are in
private collections in
Argentina, Brazil, Mexico,
Peru, USA. Italy, France,
Belgium. Japan in permanent
Public Hall Exhibitions and
in Lima, Peru in the American
School Franklin Delano
Roosevelt. ...
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Commissions:
The Editorial Holt, Rinehart &
Winston from Austin, Texas,
have the copyright of my art
work "The Fruterier" oil on
canvas, image to be published
in an educational book for
students inside the United
Stated, called
¡Expresate! Spanish Level 2,
for 5 years including in a Web
page and Cd.
FUTURES ...
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Artist Statement for Gladys Martinez Nosiglia
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STATEMENTS OF ARTIST GLADYS MARTINEZ NOSIGLIA:
Peruvian Painter and Sculptor, born in Lima - Peru. I've always been related to art for the following reason, I can repeat those words that I have never forgotten:
"The scientists see the truth in the beauty, and we artists look at and shape the beauty of the truth in the canvas, sculpture. music or in writing".
In each one of my paintings, the daily hard reality of life is displayed,blended between the face of poverty and the colorfull traditions of the Andean Villages.
In my glass sculptors, varied creations emerge from the kiln, the implied fragility, the visible flows and strenghts, the transparency and reflection of the colours, exposure of the inner matter.
With the use of clay, the colour and range fire, and of symbol emerge each ceramic creations from the depths of my very fantasies and imagination.
My productions are artistic expressions of my inner self. They sum up what I am and feel, and what I see through time.
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