Photograph of Artist EDUARDO GUELFENBEIN
EDUARDO GUELFENBEIN
Paris, - France



Original Artworks (3)

Eduardo Guelfenbein; Jeux, 2015, Original Painting Acrylic, 130 x 97 cm. Artwork description: 241 I reveal a process of discovery, infinite patterns and never- ending forms that much resemble a cosmic creation. I aim to create interesting acrylic texture, where light refracts strongly, with contrasting carved gestural strokes....
Eduardo Guelfenbein
Original Acrylic Painting, 2015
130 x 97 cm (51.2 x 38.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Eduardo Guelfenbein; Hope, 2020, Original Painting Acrylic, 140 x 140 cm. Artwork description: 241 I reveal a process of discovery, infinite patterns and never- ending forms that much resemble a cosmic creation. I aim to create interesting acrylic texture, where light refracts strongly, with contrasting carved gestural strokes....
Eduardo Guelfenbein
Original Acrylic Painting, 2020
140 x 140 cm (55.1 x 55.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Eduardo Guelfenbein; Powerfully, 2015, Original Painting Acrylic, 140 x 114 cm. Artwork description: 241 I reveal a process of discovery, infinite patterns and never- ending forms that much resemble a cosmic creation.  I aim to create interesting acrylic texture, where light refracts strongly, with contrasting carved gestural strokes....
Eduardo Guelfenbein
Original Acrylic Painting, 2015
140 x 114 cm (55.1 x 44.9 inches)
Like It   indepth artwork information   Add To Shopping Cart

Artist Statement

Eduardo Guelfenbein's art has always been dominated by the commanding presence of the figure. Close to a free narrative figuration which represents a South American expression, an imprint of energy of speed and movement, he constructed certain of the latter works in free of form, leaving the work to express itself, exploding the outlines of faces and bodies, favoring gesture and color. Waves in vibrant colors create shadows and in a picture as "Peopled" it is practically impossible to decipher the puzzle that mixes the faces and the bodies in colored whirls. Some suggestive signs arise such as an eye, or a profile inseparable from a movement that runs, encompassing the entire canvas. This fluidity, that gives the title to the exposition, characterizes perfectly the latter animated work of a volcanic spirit close of the primordial and veiled force that presided Creation. Here, Guelfenbein finds the way of an "almost abstraction", whirling, lively, that comes close to European pictorial experiences such as Cobra, and particularly of Lindstrom (not exactly Cobra), of which the research corresponded to the exploration of the basic energies translated by the usage of the bold colors and the "sculpture" of pictorial matter.
...