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Inn-Yang Low E.h.'s Main Portfolio Page
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Artist Information:
Inn-Yang Low E.h.
Saxon,
Switzerland
Member Since: Apr 2005
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Artist Media:
Kinetic (1)
Other (2)
Painting Acrylic (5)
Painting Ink (4)
Painting Other (1)
Printmaking Other (16)
Watercolor (6)
Artist Statement:
International artist born in
Singapore and living in
Switzerland. Inn-Yang Low e.h.
has made many art exhibitions
all around the world. The
understanding of movement is
the basis of his art from
calligraphy to performance on
large scale canvas. As the
symbol of eternal movement and
vital energy, ...

Further Information
Artist Exhibitions:
2009 Performance of dragon:
invited by Tao Yuan Taiwan
Ming Chuan University
2009 Polymangas, Palais de
Beaulieu, Lausanne, art
performance.
2008 Polymangas, Palais de
Beaulieu, Lausanne, art
performance.
2007 Performance acrylic pig
for the chinese New Year in
Casino stores, St-Léonard,
Switzerland
2006-7 Graphic design for Etat
...

Further Information
Artist Galleries:
Coming Soon!
Artist Reviews:
Selection 1997-2004

- Artpress n°304, "Lasko,
panorama du wall painting",
contemporary art magazine,
Paris, 2004, p.76-77
- L'Express, "Un dragon tout
en mouvement", 7.2.2004, p.11
- L'Express, "Les dragons
intérieurs d'Inn-Yang Low",
swiss newspaper, 6.25.2004
- L'Impartial, "Les dragons
...

Further Information
Collections:
Coming Soon!
Commissions:
Coming Soon!

Inn-Yang Low E.h. Biography:

Biographical information for Inn-Yang Low E.h. can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public.
Age
60
 
Gender Male
 
Status not provided
 
Children 99
 
Religion Buddhist
 
Education Masters of Fine Arts
 
Hobbies / Interests not provided
 
Favorite Artistic Medium Watercolor
 
Favorite Arthistory Movement Abstract Expressionism - (1940 - 1955)
 
Favorite Visual Artist not provided
 
Favorite Work of Art not provided
 
Biggest Artistic Inspiration not provided
 
Why Did You Become An Artist not provided
 
Your Personal Biography International artist born in Singapore and living in Switzerland. Inn-Yang Low e.h. has made many art exhibitions all around the world. The understanding of movement is the basis of his art from calligraphy to performance on large scale canvas. As the symbol of eternal movement and vital energy, the dragon is one of his most favorite pattern.

Frank Popper, Art critic, international curator and kinetic theorician, Paris, wrote in 2001 about Inn-Yang's art:
"Artworks or projects of Inn-Yang Low participate from both kinetic art tradition that anticipates virtual computer art and the other kinetic stream based on vital energy."

"Ses œuvres ou projets répondent à la fois à la tradition cinétique qui se veut annonciatrice de l'art technologique et virtuel et, d'autre part, au courant cinétique qui met l'accent sur l'énergie vitale."

Aline Dallier, Art critic, Paris,
wrote in 2001:

"Inn-Yang is not only a painter of traditional and revisited dragons, he is also a kinetician and a performer. How does he integrates these two different kind of contemporary art? The calligraphy he practices since he is very young is a natural way of thinking the different kind of movements and their art expressions in Kinetic. Performance has also connection with kinetic art because it places the body of the artist and the acting-spectator in the centre of the art minimizing for spiritual and social reasons the importance of the art object." (trad.G.P.)

"Mais Inn-Yang n'est pas seulement un peintre de dragons traditionnels ou réactualisés. C'est aussi un cinétiste et un performer. Comment s'est-il intégré, en apparence si facilement, à ces deux formes d'expression artistique contemporaines ? En ce qui concerne le cinétisme, nul doute que la calligraphie qu'il pratique depuis l'enfance l'ait conduit à penser le mouvement physique, mécanique et électrique comme étant au cœur même de l'art. En ce qui concerne la performance, elle présente en commun avec le cinétisme de placer le corps de l'artiste et celui du spectateur-participant au centre du phénomène artistique tout en minimisant l'importance de l'objet d'art conventionnel, pour des raisons tant spirituelles que sociales."
 


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