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Artist Statement:
Like the surrealists and some
abstractionists I prefer to
utilize "Automatism" for my
creative processes in order to
release my inner pictures. I
usually generate a series of
inspiring and associative
shapes on transparent layers
and combine them to form
subtle arrangements of glowing
transparent areas of colors,
including the ...
Further Information
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Artist Exhibitions:
May 1 - Oct. 31, 2008, Group
Exhibition,
"Variety of Digital Art 2008",
Kunstlege,
Gruenenbach (Westallgaeu)
Germany.
March 29 – April 20, 2008,
Group Exhibition
(and thereafter will become a
travelling exhibition).
Naestved International
Exhibition of Contemporary
Mini Square Prints, Naestved
Roennebaeksholm Art & Cultur
Center, Denmark
Nov. 10 - Nov. 25, 2007,
Group-...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Gary Singh
Into the Abstract
About the Cover
4 November/December 2005
Published by the IEEE Computer
Society
0272-1716/05/$20.00 © 2005
IEEE
After leaving school in 1965,
German-based artist Karin
Kuhlmann studied photography
and graphic design. She earned
a living for the next 25 years
as ...
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Collections:
Smithtown Township Arts
Council, New York, USA
Archives of Grafisk Vaerksted
NAESTVED & Naestved County,
Denmark
Academy Gallery, University of
Tasmania, Australia
Corel-Center, Ottawa, Canada
East Hawaii Cultural Center,
Hilo, Hawaii, USA
Leigh Yawkey Woodson Art
Museum, USA
cubus-kunsthalle Duisburg,
Germany
LeValle Gallery, Russia
3X Bankentechnik GmbH, Germany
Dr. ...
Further Information
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Commissions:
Coming Soon!
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Karin Kuhlmann Biography:
| Biographical information for Karin Kuhlmann can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
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Age
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0
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| Gender |
Female
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| Status |
not provided
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| Children |
99
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| Religion |
not provided |
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| Education |
Professional Degree |
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| Hobbies / Interests |
not provided |
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| Favorite Artistic Medium |
Computer Art
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| Favorite Arthistory Movement |
Abstract Expressionism - (1940 - 1955)
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| Favorite Visual Artist |
not provided
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| Favorite Work of Art |
not provided
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| Biggest Artistic Inspiration |
Why Did You Become An Artist
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| Why Did You Become An Artist |
not provided |
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| Your Personal Biography |
I was born 1948 in Wiedenbrück, Gemany. Now I live and work in Verl, Germany.
After leaving school (1965) I studied photography and graphic design and earned my living for more than 25 years as a commercial artist (advertising) working with traditional (analog) means of creation. Any kind of designing, painting and illustrating has been all the time part of my job.
At first I was an employee of Bertelsmann publishing house and worked some years in the publicity department of the Nobilia factory, a furniture and kitchens producer. Since 1976 I have been working as a freelancer for several publicity agencies and advertising departments and shaped every kind of publicity resources, like prospects, mailings, advertisements and product designs. As an example I cared for a club-journal for Radio Télé Luxemburg (RTL) for several years.
In 1994 I discovered the computer - which had been that far only a working tool, as my personal artistic medium. Between 1994 and 2007 I extended my activities on three fields:
1. The graphic work with own photos.
Digitally edited photo-collages of flowers and landscapes, frequently completed with paintings, expressing the connection between the perceptible picture and imagination. Most of them have been awarded in the annually hold Corel World Design Contest.
2. The work with 3D-programs.
3D-illustrations and landscapes in a surrealistic manner also digitally edited and supplemented with paintings.
3. Experimental and abstract works.
Since beginning to use the computer as a personal artistic tool in 1994 I tended more and more towards abstraction. Especially the game with geometric forms and the research into the visual and emotional possibilities of several graphic methods are of great interest for me. i.g. to work with fractals which are always the visualized solution of a complex mathematical problem - but viewed in isolation of mathematical questions and contents they are graphic patterns as a snapshot of the infinity. Drawing by algorithmus depends widely on coincidence. However generating and selecting of dynamic organic forms, their editing and coloring, is based on what psychologists refer to as 'subjective perception'.
My subjects are human relations as well as personal and social conditions.
If you would like to get an Impression of my work please visit my homepage at:
http://www.karinkuhlmann.de |
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