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Linda Bigness's Main Portfolio Page
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Artist Information:
Linda Bigness
Syracuse, NY
United States
Member Since: Aug 2000
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Artist Exhibitions:
Westmoreland Art Nationals
Westmoreland County Community
College
Youngwood, PA
June-July 2006

Along the Way
One-person exhibit of
sculpture and paintings
Arts Center @ Old Forge
Adirondacks, NY
April 3 -May 16, 2003
Reception: May 16, 6-8PM
http://www.lindabigness.com/Alo
ngtheWay.html

Abstract Paintings
Hudson Opera House Gallery
...

Further Information
Artist Galleries:
Nan Miller Gallery
500 Winton Place
Rochester, New York
Gallery Manager: Gail Leese
585-292-1430

Memorial Art Gallery
500 University Ave.
Rochester, New York
Gallery Store Director:
Colleen Griffin-Underhill,
Manager., Gallery Store
...

Further Information
Artist Reviews:
Observer-Dispatch,
Sunday, Oct. 21, 2001, Art
Exhibit features colorful
interpretations of Mozart’s
musical masterpieces. Jonas
Kover, critic.
Syracuse New Times: “Get Your
(Glue) Gun”, Carl Mellor,
Arts Critic, June 21, 2000
Syracuse New Times:: “Let It
All Hang Out” Carl Mellor,
Arts Critic, March 31, 1999
Stars Magazine...

Further Information
Collections:
Merril Lynch, Rochester, New
York
Bausch and Lomb, Rochester,
New York
Haylor, Freyer and Coon,
Syracuse, New York
Bond, Schoeneck & King, PLLC,
Syracuse, New York...

Further Information
Commissions:
Temple B'rith Kodesh, Mural
commission completed 2003, oil
on canvas
Rochester, New York...

Further Information

Artist Statement for Linda Bigness

ARTIST’S STATEMENT

Where does a painting begin and where does it end? Sometimes it ends abruptly because of an unexpected edge, maybe an edge with a surge of color that just may interpret my mood at the very moment it evolved. Painted collage, “papier’ colle’, is a freeing of the soul, a ride through reality on broken edges. Sometimes these edges take on a life of their own. Riding through abstract color fields, stopping only to pick up a lost fragment of emotion.

Emotion of color. In my painting color takes on emotion. As my hands move across the surface I can feel the energy as each turn of color grabs a space to eternalize a hidden emotion in paint.

The Square of Life is a painting that was created through emotion of color, every nuance of space is filled with sensual color. Edges become caretakers of color. Color becomes boundaries for edges. To create this way is a freeing of the spirit. My heart travels on many levels with color and edges becoming the vehicle to carry the realities into the abstract, the abyss.

Squares can take on a life of their own. So often when I paint, I use the square to represent a life, my life, and others who have touched my life or me.

Linda Bigness
From the Artist's Journal



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