Artist Information:
Suzy Andron
Raleigh, NC
United States
Member Since: Jun 2007
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Artist Statement:
Getting Lost In Your
Interpretations… Polytychs by
Suzy Andron
I have been painting for as
long as I can remember. As a
young child, my mother brought
crayons and paper to keep me
quiet during church services.
My entire life has been
influenced by art. There is
nothing more pleasing to me
than painting. When I am
working on a piece, I feel
exhilarated. Expectant.
Scared. Occasionally, I even
wonder, “What am I going to do
with this mess?”
I am “anti-style” as I paint,
but there is continuity in my
work. In 2000, I started
painting triptychs. Soon, I
expanded to more than three
combined pieces, and they
became polytychs. The
canvases wanted to rotate, so
I applied geometry to the mix.
My polytychs continued to
evolve, now into new
dimensions. I turned a few
canvases backward while still
connecting them with the
others. I experimented with
triangular canvases. I
introduced different textures,
and worked with how they
interact. Right now, I’m
developing pieces that are
composed of several layers of
canvases and new base
materials. The only pattern
to my work is the most natural
of all: I keep changing,
growing and creating new works
of ...
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Suzy Andron's Free Artist Portfolio
Welcome to Suzy Andron's Portfolio.
Getting Lost In Your Interpretations… Polytychs by Suzy Andron
I have been painting for as long as I can remember. As a young child, my mother brought crayons and paper to keep me quiet during church services. My entire life has been influenced by art. There is nothing more pleasing to me than painting. When I am working on a piece, I feel exhilarated. Expectant. Scared. Occasionally, I even wonder, “What am I going to do with this mess?”
I am “anti-style” as I paint, but there is continuity in my work. In 2000, I started painting triptychs. Soon, I expanded to more than three combined pieces, and they became polytychs. The canvases wanted to rotate, so I applied geometry to the mix. My polytychs continued to evolve, now into new dimensions. I turned a few canvases backward while still connecting them with the others. I experimented with triangular canvases. I introduced different textures, and worked with how they interact. Right now, I’m developing pieces that are composed of several layers of canvases and new base materials. The only pattern to my work is the most natural of all: I keep changing, growing and creating new works of ... |
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