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Artist Information:
Paulette Snijders
Aalbeek (Hulsberg),
Netherlands
Tel: 0031454059188
Member Since: Aug 2007
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Artist Statement:
“I wish to visualize in my own
manner the insanity of daily
life. That is not possible
without adding my emotion and
rationalization. That is a
completely different view than
in the past. In that period
dreams and memories were the
basis of my work.”

“The release of my past and my
self-criticism has brought me
to where I am now. They both
force me to look for new
areas, new techniques. A
journey of discovery but not
search for new ‘landscapes’.
It is observing with a new
look, without judgment of
egoism, prejudice, violence,
opinion about love, happiness
and joy. This brings true
freedom. You notice right away
that people do not want to
wake up, they prefer to cling
to attachment.”
...

Further Information
Artist Exhibitions:
2008 » Castle of Holtum
Netherlands
» Castle of Bloemendal
Vaals Netherlands
» Atelier-Galerie
“Aalbekerhoeve” Aalbeek
Netherlands

2003-2008 » Yearly expositions
Atelier-galerie
“Aalbekerhoeve”
» Aalbeek
Netherlands

2003 » Art-Fair Antwerpen
(Belgium)
» Atelier-Galerie
“Aalbekerhoeve” Aalbeek
Netherlands

2002 » Kunsthalle Dortmund
(Germany)

2001 » Artfair Ahoy, Rotterdam
Netherlands
» Art-event, Eindhoven
Netherlands
» Artiade, Alkmaar
Netherlands
» ...

Further Information
Artist Galleries:
Galerie Aalbekerhoeve
Aalbekerweg 85
6336 XN Aalbeek
Netherland
Tel: 0031 45 4059188
Fax: 0031 45 4059189
E-mail: loek@aalbekerhoeve.nl

Website:
http://www.galerieaalbekerhoeve
.nl/...

Further Information
Artist Reviews:
PUBLICATIONS AND MEDIA
COVERAGE

1993 LON Expositie Vrouw en
werk arbeidsbureau Heerlen
1994 TV Valkenburg Opening
expositie in Holland Casino
Valkenburg
1996 TV Valkenburg Opening
overzichtstentoonstelling
Streek Museum Valkenburg
1997 L1- TV Opening Expositie
in Galerie Johanna Talbot-Hoft
Maastricht
2003 TV Limburg Expositie
Aalbekerhoeve
2004 TV Limburg Expositie
Aalbekerhoeve
...

Further Information
Collections:
Several Business Collections
as:

Rabo Bank Heerlen Netherland
Dutch States mines (DSM)
Netherland
Pan Brasilia Airport
Maastricht Netherland
Stainless Steel Landgraaf
Netherland
Fugro Geotechnics bv
Leidschendam Netherland
Geomet bv Sassenheim
Netherland
Geoconsult Soilmechanics
Heerlen Netherland
OPG Utrecht Netherland
ZR-group Maastricht Netherland
Fair Culinair Maastricht
Netherland
FOVM Maastricht Netherland
Hospital ...

Further Information
Commissions:
Dutch States mines (DSM
Urmond) Netherland
Dutch States mines (DSM
Sittard) Netherland
Pan Brasilia Airport
Maastricht Netherland
Stainless Steel Landgraaf
Netherland
Fugro Geotechnics bv
Leidschendam Netherland
Geomet bv Sassenheim
Netherland
Geoconsult Soilmechanics
Heerlen Netherland
OPG Parmacy Wholesaler Utrecht
Netherland
Fair Culinair Mecc Maastricht
Netherland
Stienstra Heerlen Netherland
Mirasound Record Industrie ...

Further Information

Paulette Snijders Biography:

Biographical information for Paulette Snijders can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public.
Age
61
 
Gender Female
 
Status Married
 
Children 2
 
Religion Catholic
 
Education Professional Degree
 
Hobbies / Interests Working in my beautiful sculpture garden. Travelling in the Caribics. Latin music
 
Favorite Artistic Medium Painting Oil
 
Favorite Arthistory Movement Contemporary Art - (Now)
 
Favorite Visual Artist Goya, Gaugin, Picasso, Klimt
 
Favorite Work of Art to many to tell
 
Biggest Artistic Inspiration The injustice is one of Paulette’s most important sources of inspiration.
“I wish to visualize in my own manner the insanity of daily life. That is not possible without adding my emotion and rationalization. That is a completely different view than in the past. In that period dreams and memories were the basis of my work.”

“The release of my past and my self-criticism has brought me to where I am now. They both force me to look for new areas, new techniques. A journey of discovery but not search for new ‘landscapes’. It is observing with a new look, without judgment of egoism, prejudice, violence, opinion about love, happiness and joy. This brings true freedom. You notice right away that people do not want to wake up, they prefer to cling to attachment.”

“An important step to new work makes me realise that is actually not pleasant to be free” observes Paulette. “To give up attachments, a habit is not pleasant, not simple. The insight into what we have made of our lives must grow. Especially observation must be learnt. Through all this I get a deeper insight into my own illusions and the illusionary character of the world. This creates space for consciousness through which I can change. It allows the many labels, which we laid on, to disappear.”

“For that matter I know that I’ am not alone. I recognize a similar striving in the works of Paul Gauguin, Gustav Klimt and Francisco Goya. They inspire me enormously. I study their paintings, I pick them out. Especially Paul Gauguin’s use of colour, the decorative style of Gustav Klimt and the dark canvasses of Francisco Goya. I want to know and to observe how they develop. This gives me the strength and courage to carry on, to keep searching...”
 
Why Did You Become An Artist A a age of 16 years I went to the artist school because i was always drawing and painting. I finished the the main Academy of Art in Maastricht when I was 19 years. I was one of the first female artist there.
 
Your Personal Biography Paulette Snijders-Bremen, born in Kerkrade (1946) studied in Maastricht at the main Academy of Art and the Jan van Eyck Academy. She completed her study with workshops and courses with the artist Frans de Haas in The Hague (etches), Indonesian batiks at the Academy in Delft and a study of philosophy at the Arcus College in Heerlen.

The work history of Paulette was just as turbulent as her existence. She worked in Germany, Spain, Algeria and at various places in the Netherlands. Her vision of life is the result of the protective Western culture, also under the influence of her four years in Spain and the struggle for life in the deserts of Algeria, as well as many journeys to exotic countries.
 


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