Artist Information:
Makoto Hatori
Moriya-Shi,
Japan
Member Since: Jun 2001
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Artist Statement:
An artwork has its own
reason-d'etre as an objective
substance. The essence of an
artwork does not necessarily
draw its artistic power from
the subjective self of the
artist. Conventionally,
however, people who try to
appreciate an artwork tend to
regard the artwork as an
expression of internal self of
the artist. The conflict
between the artist and the
recipient, in terms of the
artwork, starts from here.
In the era when the religious
passion stimulates the
imagination in internal self
of artists, as, for instance,
in painters in Western
middle-age, the devout belief
in God --- and the internal
imagination that accompanies
it --- produced numbers of
Christian paintings. Painters
and people who see them share
a universal episteme coming
from the Belief, which
reflects the completion of the
religious doctrine. Buddhism
also produced a number of
Buddhist artworks for
spreading the Buddhist
doctrine.
In the present era, where the
uniformity of time and space
is increasingly under doubt,
and being perceived as
somthing more chaotic, the
external world itself is
perceived as containing the
artistic image. Thus, the
image of internal self is
understood to be its shadow, a
phantom whose substance exists
in the external world. ...
Further Information
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Artist Exhibitions:
Born in 1947 in Japan, Makoto
Hatori apprenticed to master
potter Ken Fujiwara in 1969.
He then earned a degree in
sculpture at Nihon University,
College of Arts and went on to
study technology at the Gifu
Prefectural Institute of
Ceramics. By 1975, he had
established his own studio
in...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
"Ancient Style, Modern
Sensibility" -by Andy Cordy
Ceramic Review -U.K.- / May
June 1993 - Number 141
"Makoto Hatori" - by Shane
Enright
Studio Pottery -U.K.- / August
Septmber 1993 - Number 4
"Makoto Hatori"
Ceramics monthly -U.S.A.- /
Febuary 1994
"Comment un potier japonais
voit la position de la
ceramique sur...
Further Information
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Collections:
[ Public Collection ]
The British Museum (UK)
Victoria & Albert Museum (UK)
Stoke-on-Trent City Museum
(UK)
Manchester City Art Gallery
(UK)
Reading City Museum (UK)
Panevezyo Civic Art Gallery
(Lithuania)
The Liturgical Art Gulld (USA)
Zanesville Art Center (USA)
Victorian Ceramic Group
Incorporated (Australia)
Pretoria Art Museum (Gauteng,
South Africa...
Further Information
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Commissions:
Coming Soon!
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Makoto Hatori's Free Artist Portfolio
Welcome to Makoto Hatori's Portfolio. Browse Hatori's body of work: An artwork has its own reason-d'etre as an objective substance. The essence of an artwork does not necessarily draw its artistic power from the subjective self of the artist. Conventionally, however, people who try to appreciate an artwork tend to regard the artwork as an expression of internal self of the artist. The conflict between the artist and the recipient, in terms of the artwork, starts from here.
In the era when the religious passion stimulates the imagination in internal self of artists, as, for instance, in painters in Western middle-age, the devout belief in God --- and ... |
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show works by: price - latest uploaded - theme - chronologically Page 1 of 2: <<
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Spread, 2008
Other Ceramics,
79 x 51 X 19 cm
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Stream, 2008
Other Ceramics,
106 x 34 X 19 cm
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Waver, 2008
Other Ceramics,
79 x 53 X 19 cm
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Behavior Equation, 2008
Other Ceramics,
53 x 42 X 54 cm
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Stracture, 2008
Other Ceramics,
28 x 47 X 28 cm
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Relation, 2008
Other Ceramics,
20 x 40 X 20 cm
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