Artist Information:
Isabelle Lutz
Paris,
France
Member Since: Oct 2009
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Artist Statement:
Isabelle Lutz, who came to
painting on her 30th birthday
not because she has a gift but
through sheer willpower,
started without learning
first. «When I decided to
paint, I threw myself into it
headlong and started working
intensively. I painted for
hours and days on end.» In
four years, during which she
has produced 107 paintings, a
deep consciousness of woman’s
condition in the heart of
contemporary society quickly
emerged.
Almost all her paintings show
nude women in often-ambiguous
poses in stiff, dehumanised
environments. They speak for
themselves but the main thing
must not be neglected: the
women are looking at us. All
are depicted frontally, their
eyes wide open, attentively,
voraciously, one might say,
observing us, turning the
usual relationship between
viewer and viewed upside-down.
The sexuality visible in
Isabelle Lutz’s paintings is
not an ode to freedom and
eroticism. On the contrary, it
ambivalently attests to the
persistence of a certain form
of alienation that forces
women to make concessions on
their individuality....
Further Information
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Artist Exhibitions:
24 octobre - 23 janvier 2010 :
Isabelle Lutz (In the slightly
acid world) at the gallery
VivoEquidem in Paris...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Isabelle Lutz's Free Artist Portfolio
Welcome to Isabelle Lutz's Portfolio.
Isabelle Lutz, who came to painting on her 30th birthday not because she has a gift but through sheer willpower, started without learning first. «When I decided to paint, I threw myself into it headlong and started working intensively. I painted for hours and days on end.» In four years, during which she has produced 107 paintings, a deep consciousness of woman’s condition in the heart of contemporary society quickly emerged.
Almost all her paintings show nude women in often-ambiguous poses in stiff, dehumanised environments. They speak for themselves but the main thing must not be neglected: the women are looking at us. All are depicted frontally, their eyes wide open, attentively, voraciously, one might say, observing us, turning the usual relationship between viewer and viewed upside-down.
The sexuality visible in Isabelle Lutz’s paintings is not an ode to freedom and eroticism. On the contrary, it ambivalently attests to the persistence of a certain form of alienation that forces women to make concessions on their individuality.... |
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