Artist Information:
Maurine Holmgren
Astoria, NY
United States
Member Since: May 2003
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Artist Statement:
Direct Carving:
Direct carving is very different from additive methods and "plastic" carving. In additive methods, for example clay modeling and direct plaster, an armature or core is created and the medium is built-up around the armature. It is also fairly easy to change or "correct" clay and then re-build. In "plastic" carving a maquette or model is made using additive methods, frequently in clay, and then copied into the stone [not necessarily by the artist].
Direct Carving, on the other hand, is a very intimate experience in which the artist liberates the forms inherent in a particular piece of stone [or wood].
By working with the properties of that stone including the grain, crystal structure, texture, hardness, fault lines, shape, etc., a unique artwork is created. Working within the specific limits of each piece of stone my goal is to create a sculpture that moves outside its own boundaries. Stone for all its hardness and strength is very fragile and can be easily bruised and broken. It can also be incredibly recalcitrant and "bite back" forcing a collaboration between the stone and artist in which, it some times seems the stone has the upper hand. The act ...
Further Information
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Artist Exhibitions:
Coming Soon!
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Maurine Holmgren's Free Artist Portfolio
Welcome to Maurine Holmgren's Portfolio. Direct Carving:
Direct carving is very different from additive methods and "plastic" carving. In additive methods, for example clay modeling and direct plaster, an armature or core is created and the medium is built-up around the armature. It is also fairly easy to change or "correct" clay and then re-build. In "plastic" carving a maquette or model is made using additive methods, frequently in clay, and then copied into the stone [not necessarily by the artist].
Direct Carving, on the other hand, is a very intimate experience in which the artist liberates the forms inherent in a particular piece of stone [or wood].
By working with the properties of that stone including the grain, crystal structure, texture, hardness, fault lines, shape, etc., a unique artwork is created. Working within the specific limits of each piece of stone my goal is to create a sculpture that moves outside its own boundaries. Stone for all its hardness and strength is very fragile and can be easily bruised and broken. It can also be incredibly recalcitrant and "bite back" forcing a collaboration between the stone and artist in which, it some times seems the stone has the upper hand. The act ... |
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