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Artist Statement:
Scope Serie
This body of work explores the desire to control that which cannot be controlled. The very process of creating these images requires me to experiment with composition, asymmetry, color and inevitable accidents. I am always looking for the smallest fragment from which a whole can be intuitively constructed...
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Artist Exhibitions:
2005 Biennale Internationale Dell'Arte Contemporanea, Firenze, Italy
2005 34 Artists Live Exhibition, Y.O.H. Gallery, Yonkers-on Hudson, NY
2005 TOAST, Tribeca Open Artist Studio, NYC
2004 TOAST, Tribeca Open Artist Studio, NYC
2004 Tactility in Abstraction, Julie Chang & Angell Hall Productions, NYC
2001 The Eternal Consciousness, Brown ...
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Artist Galleries:
December 15th - 17th
Biennale Internationale Dell'Arte Contemporanea
Firenze, Italy
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June 8th - 13th
Y.O.H. Gallery
34 Artists Live Exhibition
Yonkers-on Hudson, NY
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April 29th - 1th
TOAST
Tribeca Open Artist Studio
New York, NY
Goto website
January 1th - 30th
Tactility in Abstraction
Julie Chang & ...
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Collections:
Spelthahn Collection, Hamburg, Germany
Catherine Keesey, London, Great Britain
Alcocer Collection, New York, New York, USA
Beate Schlesinger, Berlin, Germany
Ben Fried, New York, New York, USA
Barbara Jones, New York, New York, USA
Wolfgang Koehnk, Hamburg, Germany
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Commissions:
Coming Soon!
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Reviews for Martina Nitsche:
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The artist is addressing formal issues in abstraction,
drawn toward a color palette of deep reds, vibrant
hot pink, yellows, and blues and greens that have
both archaic and fresh evocations, reflecting a deep
vibration of an urban contemporary soul.
Nitsche, still closely indentified to her native German
origin, comes to photography by observing the
process of paintingl, and bases her work on the idea
of the body. Ther series relfected in this exhibition
explores the body on a cellular level, developing
Rothko-like ameobic images and landscapes that
evoke Helen Frankenthaler, using canvas, watercolor
papter, or smooth cibachromes as
her medium to create an added dimension of
TEXTURE.
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