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Martina Nitsche's Main Portfolio Page
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Artist Information:
Martina Nitsche
berlin,
Germany
Member Since: Aug 2007

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Photo of Martina Nitsche, Artist



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Artist Exhibitions:
2005 Biennale Internationale
Dell'Arte Contemporanea,
Firenze, Italy
2005 34 Artists Live
Exhibition, Y.O.H. Gallery,
Yonkers-on Hudson, NY
2005 TOAST, Tribeca Open
Artist Studio, NYC
2004 TOAST, Tribeca Open
Artist Studio, NYC
2004 Tactility in
Abstraction, Julie Chang &
Angell Hall Productions, NYC

2001 The Eternal
Consciousness, Brown ...

Further Information
Artist Galleries:
December 15th - 17th
Biennale Internationale
Dell'Arte Contemporanea
Firenze, Italy

Goto website

June 8th - 13th
Y.O.H. Gallery
34 Artists Live Exhibition
Yonkers-on Hudson, NY

Goto website

April 29th - 1th
TOAST
Tribeca Open Artist Studio
New York, NY

Goto website

January 1th - 30th
Tactility in Abstraction
Julie Chang & ...

Further Information
Artist Reviews:
The artist is addressing
formal issues in abstraction,
drawn toward a color palette
of deep reds, vibrant
hot pink, yellows, and blues
and greens that have
both archaic and fresh
evocations, reflecting a deep
vibration of an urban
contemporary soul.

Nitsche, still closely
indentified to her native
German
origin, comes ...

Further Information
Collections:
Spelthahn Collection, Hamburg,
Germany
Catherine Keesey, London,
Great Britain
Alcocer Collection, New York,
New York, USA
Beate Schlesinger, Berlin,
Germany
Ben Fried, New York, New York,
USA
Barbara Jones, New York, New
York, USA
Wolfgang Koehnk, Hamburg,
Germany
...

Further Information
Commissions:
Coming Soon!

Artist Statement for Martina Nitsche


Scope Serie

This body of work explores the desire to control that which cannot be controlled. The very process of creating these images requires me to experiment with composition, asymmetry, color and inevitable accidents. I am always looking for the smallest fragment from which a whole can be intuitively constructed.

The images are created by pouring chemicals directly onto photo emulsion, allowing the pigment to form its own shapes and edges. This is an intuitive, elastic process of give and take between my intentions and the materials' behavior which, in contrast to painting on top of an already sealed canvas, limits the complete control I might have over the final product.





Human Machine

This body of work explores the surface of our inner landscape that
represents the eternal of our life. As a serie I create images that leads us through a journey which reencounters our self-identification, the true essence, hidden behind the mind.It is the visionary journey into landscapes of digitally polluted mind against a background of physical nature.


Using a combination of anatomical diagrams, photographs , organs and medical maps of veins, I create images that compels the viewer to see "into" him or herself, encouraging contemplation. As such, the images serve as a mirror that reflects both the fractured self of the material worldand, conversely, the unbroken continuum of the spiritual one.

The purpose of this project is to reflect and appreciate the sacredness of the
individual self, one's unity with poeple and cultures, and one's connectedness with the earth and universe.



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