Using the ancient technique of lampworking I individually create each bead . The molten glass is worked in a propane oxygen flame at temperatures in excess of 2000 degrees. I use Moretti Effetre glass imported from Italy and dichroic glass which is a dazzling mix of colours that changes before your eyes. Molten glass is wrapped around a stainless steel rod, (called a mandrel) which has been dipped in a clay based bead release, to prevent the glass from sticking. Layers of glass, color, detail and shimmering effects make each bead like no other.

To embellish and add intricate details we use gold, silver, luster powders, enamels, and ground glass to enhance the look of the vessels and beads we create. The fluidity and movement of the molten glass is frozen in time as the surface and core temperature is gradually lowered and then each bead is annealed in a kiln overnight for lasting strength and durability. After soaking the beads in water to loosen the bead release, the beads are removed from their stainless steel mandrels and cleaned of the separator using diamond files.

Historically Beads have been the basis of most primitive economies, as well as a strong root for culture and ritual of ancient communities. Every important archaeological dig has proven this by uncovering beads and ornamentation of some sort. The contemporary art glass movement has seen a wonderful resurgence of this ancient and respected art form.

My inspiration is derived from myriad sources geometric, cellular, molecular, and genetic structures to more abstract concepts of space/time and spirituality. Creating art beads is a deeply meditative practice for me each microcosm of glass is imbued with intention and spirit. I enjoy teaching others the ancient art of making beads - to dance with fire, molten glass and their own spirit of inspiration....