|
|
|
|
|
|
Artist Exhibitions:
Exhibitions:
2008 April Könyvesház Gallery, 27 Ráday Str,Budapest
2007 February Apropodium Gallery, Ráday Str., Budapest
2006 September Bálint Jewish Cultural Centre, Budapest
2006 June Szív35 Gallery, Budapest
2005 September Duna Salon, Budapest
2005 August Esély Gallery, Budapest
2005 May: Ivy Gallery, Accra, ...
Further Information
|
|
Artist Galleries:
Coming Soon!
|
|
Artist Reviews:
Style
Famously gloomy
Famously gloomy
by Andreea Anca
Sun Online
April 16, 2008 08:00 am > "Life is not a bed of roses," goes an old English saying, and its Hungarian equivalent - "Az élet nem egy habos torta," which replaces roses with cream cakes &<65533; suggest the same miserable expectation...
Further Information
|
|
Collections:
Coming Soon!
|
|
Commissions:
Coming Soon!
|
|
|
Artist Statement for Zsuzsa Naszodi
|
|
|
The art of painting for me is a straightforward process of visual representation of my feelings in response to a given subject.
Be it a human face, landscape, a still-life or a fleeting gesture of a scene in a café, they all serve as triggers for emotional movement which I try to translate into the language of line, shape and color.
My fascination with the world of Art, started early in my childhood but it was only when I felt free of my obligations as a mother and a successful business woman, that I could devote myself entirely to development of my second career as an artist- painter.
After few years of an arduous process of picking up the essentials of the painting techniques as well as visual thinking and color experimentation, I feel myself ready to exhibit my work and thus closing the creative cycle which begins usually with the initial sketches and exploration of the subject in which I am interested in any given time. I believe in inspiration and part of my process is concerned with achieving that blissful stage in the creative work when the technique doesn't occupy any conscious thought and flows smoothly in a miraculous dialogue between the subjective inner feelings and the so called objective outer forms.
When the dialogue reaches a certain point of ignition, the boundaries between the outside and the inside, blurred and all is felt is magic .
|
|