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Artist Exhibitions:
2008 "Table Manners" Exhibition, Mar 29 - Sep 14, The Arizona Museum for Youth, Mesa, AZ
2008 Art and Soul of South End, April 26 - 27, Charlotte, NC
2008 Art on the Green, April 19 - 20, Davidson, NC - Best of Show Award
2008 ACPS 65th Members Exhibition, The Chestnut Hill Gallery, ...
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Artist Galleries:
Gallery C, Raleigh, NC, currently
3532 Wade Avenue
Raleigh, NC 27607
(919) 828-3165
(888) 278-3973
The Frame Shop and Gallery, Lambertville, NJ, currently
39 North Main Street,
Lambertville, NJ 08530
(609)397-8939
open daily 11-6pm
Merrill-Jennings Galleries, currently
463 S Main St
Davidson, NC 28036
(...
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Artist Reviews:
“First Place winner Natalia Moroz’s "Slow Dance" is a surreal exploration of contemporary life using quotations from early 20th century German Expressionism. However, this haunting linocut lives in a postmodern world. It is composed with authority and originality, transforming an awareness and knowledge of art into a personal and...
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Collections:
Arkansas State University, permanent collection
State Museum of Fine Art, Tashkent, Uzbekistan
Museum of Modern Arts, Urgench, Uzbekistan
The Art Exhibition Management, Tashkent, Uzbekistan
Numerous private collections in the the United States, Austria, Australia, Belgium, Brazil, Canada, Ireland, France, Switzerland, and UK. ...
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Commissions:
UNICEF Flag Stamps Program, First Day Covers illustration
Los Angeles Times, Book Review illustrations
The New York Times, Book Review illustrations
North Carolina Literary Review, editorial illustration
Community Greening, magazine cover and illustrations
Cover design for the book "Happily Ever After" by Eduard Bag
Book cover and illustrations for the ...
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Artist Statement for Natalia Moroz
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From childhood reading and drawing were my passions, and I combined them by illustrating my favorite books. The further I develop professionally as an artist, the more I use literature only as a starting point to express my personal views, ideas, and feelings.
My life-long love to poetry had a great impression on my work. Like a short piece of poetry that can say more with less words than a long novel, so an engraving, laconic and powerful, can convey much "on a limited budget". I treat a line in linocut as a line in a verse - both should be sharp and precise.
Lately, I tried a new painterly approach in my linocuts. I started using multiple plates, reduction technique, and gradient inking to produce complex color prints with subtlety and uniqueness of a monotype. Uniting strong concepts and expressive graphics, I create visual metaphors with multiple layers of meaning.
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