Artist Information:
Paul Bracey
Wilkes-Barre, PA
United States
Member Since: Jan 2002
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Artist Statement:
Writing an artist’s statement
has proven to be an incredibly
difficult thing to do. For
me, it seems to teeter on the
brink of impossibility. It is
difficult enough just to
produce an image itself
(despite the feeling that my
images fill and spill out of a
world of senses). Indeed, the
simple act of naming an image
is difficult. Words are
difficult. They are but vague
landmarks of our world once
removed from sight and touch.
Sometimes they are even like
faded signs, unreadable and
pointing in the wrong
direction. The infrequent
happenstance when words make
the connection to our world of
senses is always delightful,
but it is significantly rare.
All the more reason that the
task of writing an artist’s
statement seems more like it
is tipping off the brink into
impossibility. But if words
are the opposite of visual and
tactile substance, there must
be a way for them to coexist.
What do you see? Hopefully,
you will see things as you
haven’t seen them before.
Part of my goal has to be to
show things in a new light, or
as the case may be, in a
revealing darkness. Part of
the ...
Further Information
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Artist Exhibitions:
"Il corpo, lo spazio" June,
2001
Foiano della Chiana, Tuscany,
Italy...
Further Information
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Paul Bracey's Free Artist Portfolio
Welcome to Paul Bracey's Portfolio.
Writing an artist’s statement has proven to be an incredibly difficult thing to do. For me, it seems to teeter on the brink of impossibility. It is difficult enough just to produce an image itself (despite the feeling that my images fill and spill out of a world of senses). Indeed, the simple act of naming an image is difficult. Words are difficult. They are but vague landmarks of our world once removed from sight and touch. Sometimes they are even like faded signs, unreadable and pointing in the wrong direction. The infrequent happenstance when words make the connection to our world of senses is always delightful, but it is significantly rare. All the more reason that the task of writing an artist’s statement seems more like it is tipping off the brink into impossibility. But if words are the opposite of visual and tactile substance, there must be a way for them to coexist.
What do you see? Hopefully, you will see things as you haven’t seen them before. Part of my goal has to be to show things in a new light, or as the case may be, in a revealing darkness. Part of the ... |
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