Artist Information:
Paul Brewster
Warsaw,
Poland
Member Since: Jun 2006
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Artist Statement:
I remember at the age of
around five or six coming
across a Starling lying dead
in the gutter, its splayed
cherry red guts ebbing gently
in a stream of oil filled
summer rain which was awash
with a spectrum of colour
spilled from previously parked
cars and mirrored by the birds
iridescent feathers shimmering
in the sun, and 'thought'...
"This's really nice".
To accommodate what he calls
‘the latent facsimiles of
self’, Paul Brewster is
anything but afraid to exploit
in his work what he believes
to be the necessary tendency
in us all towards the
voyeuristic analysis of
‘whatever’ in order to
necessitate self tolerance and
self recognition...
He concedes that his work is
an acknowledgment of the need
to collate particular
references, often embracing
unforeseen cultural taboos, in
order to fulfil the un-played
'desires' of the individual.
He goes on to say, ‘it’s not
so much the desire to befriend
that counts, but whatever it
is that attracts and intrigues
- the bits that we recognize
within or even beyond the
extremities which lie unused
in ourselves that count in
adding a little to the veiled
questions relating to the
human condition’. En-route to
...
Further Information
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Artist Exhibitions:
Coming Soon!
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
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Commissions:
Coming Soon!
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Paul Brewster's Free Artist Portfolio
Welcome to Paul Brewster's Portfolio.
I remember at the age of around five or six coming across a Starling lying dead in the gutter, its splayed cherry red guts ebbing gently in a stream of oil filled summer rain which was awash with a spectrum of colour spilled from previously parked cars and mirrored by the birds iridescent feathers shimmering in the sun, and 'thought'... "This's really nice".
To accommodate what he calls ‘the latent facsimiles of self’, Paul Brewster is anything but afraid to exploit in his work what he believes to be the necessary tendency in us all towards the voyeuristic analysis of ‘whatever’ in order to necessitate self tolerance and self recognition...
He concedes that his work is an acknowledgment of the need to collate particular references, often embracing unforeseen cultural taboos, in order to fulfil the un-played 'desires' of the individual. He goes on to say, ‘it’s not so much the desire to befriend that counts, but whatever it is that attracts and intrigues - the bits that we recognize within or even beyond the extremities which lie unused in ourselves that count in adding a little to the veiled questions relating to the human condition’. En-route to ... |
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