Artist Information:
Pelin Yazar Canez
montreal,
Canada
Member Since: Mar 2009
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Artist Statement:
My approach to painting
derives from the consequences
and possibilities of colours
living side by side each
other. I enjoy submerging in
the surprise and play they
offer as they are let loose
from their tubes and
containers, sometimes in pure
splashes, sometimes mixed and
worked, to take on new life on
the canvas or board with
imaginative flashes of brush
or finger or knife. Everything
depends on this relationship
of colours; it is the primary
joy of the visual art. Forms
and patterns, contours and
later delineations are
conjured from their essential,
vivid appearance and
radiation.
A harmony, or skilful balance,
then becomes of the utmost
concern. Without playing
colours against each other
wisely, or by ignoring a
colour’s own implicit array of
sympathies and antipathies,
the impact of colours moving
emotionally across, into, and
through each other, is
diminished. A painter in love
with colour delights in the
freedom of paint like a child,
and succeeds through
innocence; but, listening to
colours, the painter deploys
them according to their secret
desires, and succeeds through
the affectionate and
intelligent care of the
gardener.
Ultimately, these colours grow
to support a larger, a grander
conversation of forms and
patterns. ...
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Pelin Yazar Canez's Free Artist Portfolio
Welcome to Pelin Yazar Canez's Portfolio.
My approach to painting derives from the consequences and possibilities of colours living side by side each other. I enjoy submerging in the surprise and play they offer as they are let loose from their tubes and containers, sometimes in pure splashes, sometimes mixed and worked, to take on new life on the canvas or board with imaginative flashes of brush or finger or knife. Everything depends on this relationship of colours; it is the primary joy of the visual art. Forms and patterns, contours and later delineations are conjured from their essential, vivid appearance and radiation.
A harmony, or skilful balance, then becomes of the utmost concern. Without playing colours against each other wisely, or by ignoring a colour’s own implicit array of sympathies and antipathies, the impact of colours moving emotionally across, into, and through each other, is diminished. A painter in love with colour delights in the freedom of paint like a child, and succeeds through innocence; but, listening to colours, the painter deploys them according to their secret desires, and succeeds through the affectionate and intelligent care of the gardener.
Ultimately, these colours grow to support a larger, a grander conversation of forms and patterns. ... |
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