Artist Information:
Ramesh Yanthra
Chennai-http://www.rameshyanthra.com,
India
Member Since: Jul 2007
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Artist Statement:
The non-structural content of
my work is generally a foray
into artistic and societal
structures that I find
confining or
confusing—traditional
narrative structure.Storylines
and ideas are opened to
questions rather than
presented as complete. My
intent is to work towards an
epiphany of opening rather
than one of certitude.
Where some see places and
things, I am stimulated by
light, form, and movement.
Through photographic
expression of landscapes and
birds, I can communicate the
essence of what I see.
Once I have identified a
promising location, I attempt
to determine optimal
conditions, often returning
repeatedly to the same
location just as a gardener
checks his crops or a
lobsterman checks his traps.
Sometimes the composition
itself is predetermined by the
location, the conditions, or
the subject. I wait until I
see something new revealed. I
enjoy photographing just
before dawn, continually
trying to catch the unique
quality of days first light,
or at sunset when I can
capture the last moments of
light. Each day presents a
chance to visualize and is
filled with new combinations
of light and color. From the
migrating bird on its passages
to the grandest landscape, the
natural world is revealed to
...
Further Information
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Ramesh Yanthra's Free Artist Portfolio
Welcome to Ramesh Yanthra's Portfolio.
The non-structural content of my work is generally a foray into artistic and societal structures that I find confining or confusing—traditional narrative structure.Storylines and ideas are opened to questions rather than presented as complete. My intent is to work towards an epiphany of opening rather than one of certitude.
Where some see places and things, I am stimulated by light, form, and movement. Through photographic expression of landscapes and birds, I can communicate the essence of what I see.
Once I have identified a promising location, I attempt to determine optimal conditions, often returning repeatedly to the same location just as a gardener checks his crops or a lobsterman checks his traps. Sometimes the composition itself is predetermined by the location, the conditions, or the subject. I wait until I see something new revealed. I enjoy photographing just before dawn, continually trying to catch the unique quality of days first light, or at sunset when I can capture the last moments of light. Each day presents a chance to visualize and is filled with new combinations of light and color. From the migrating bird on its passages to the grandest landscape, the natural world is revealed to ... |
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