Artist Information:
Rudy Eugene Dominguez
Raleigh, NC
United States
Member Since: Jul 2007
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Artist Statement:
ARTIST STATTEMENT
My artwork can sometimes be
arousing, chaotic, emotional
and visually appealing. I
prefer to depict the human
figure abstractly by using
clay as my medium. My best
work that illustrates my
individualized style is
through the use of clay by
manipulation and contortion to
create an abstract form,
including the use of
expressive marks and colors on
the surface. My hands are my
favorite tools when creating
ceramic sculptures, because it
gives me that control to
manipulate the clay in a way
that I can express my inner
feelings through aggression,
gentleness and sensationalism.
When I work with clay, I am
reminded that it once belonged
to a sedimentary rock that
took thousands of years to
form naturally. I begin a
piece with a mental picture of
a contextual idea, such as
form, texture, color and
theme. Soon after I begin to
draw out a sketch and
challenge myself to mimic
exactly what I had imagined
and begin the process of
manipulation. I know the
piece is done when I am
satisfied that it duplicated
my mental picture. When my
work is going well, I am
filled with the sense of
excitement, joy, and pleasure.
When people see ...
Further Information
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Rudy Eugene Dominguez's Free Artist Portfolio
Welcome to Rudy Eugene Dominguez's Portfolio.
ARTIST STATTEMENT
My artwork can sometimes be arousing, chaotic, emotional and visually appealing. I prefer to depict the human figure abstractly by using clay as my medium. My best work that illustrates my individualized style is through the use of clay by manipulation and contortion to create an abstract form, including the use of expressive marks and colors on the surface. My hands are my favorite tools when creating ceramic sculptures, because it gives me that control to manipulate the clay in a way that I can express my inner feelings through aggression, gentleness and sensationalism. When I work with clay, I am reminded that it once belonged to a sedimentary rock that took thousands of years to form naturally. I begin a piece with a mental picture of a contextual idea, such as form, texture, color and theme. Soon after I begin to draw out a sketch and challenge myself to mimic exactly what I had imagined and begin the process of manipulation. I know the piece is done when I am satisfied that it duplicated my mental picture. When my work is going well, I am filled with the sense of excitement, joy, and pleasure. When people see ... |
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