Artist Information:
Ricardo Morin
New York, NY
United States
Member Since: Jul 2004
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Latest Artist's Video:
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Artist Statement:
Statement by Ricardo Morin,
edited by Billy Bussel
Thompson, Professor Emeritus.
My work Triangulation Series
2006-08 expands on questions
dealing with perspectives
synthesizing concepts of
pictorial space and infinity:
something I have worked on
over the years. I have allowed
painterly
abstraction/plasticity to
express both in form and ...
Further Information
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Artist Exhibitions:
SOLO EXHIBITIONS
1998- �Ricardo Morin and
Niccolo Cataldi� curated by
Barbara Hunt and presented by
Visual AIDS at Saint Mark�s
Church, New York, NY
1992- �Ricardo Morin: NYC
Series 1992� curated by
artist Carlos Zerpa; Gallery
of the Consulate of Venezuela;
New York, NY
1980- �Buffalo Series
1980� curated ...
Further Information
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Artist Reviews:
In the Flesh (Love letters to
NYC)� curated by Jo-ey Tang
and presented by Visual AIDS
in February 2009 at
http://www.thebody.com/visualai
ds/web_gallery/2009/tang/statem
ent.htmlBenjamin Ivry, poet,
introduces in Sept 1992
Ricardo Morin�s one-man show
invitation held ...
Further Information
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Ricardo Morin's Artist Portfolio
Welcome to Ricardo Morin's Portfolio.
Statement by Ricardo Morin, edited by Billy Bussel Thompson, Professor Emeritus.
My work Triangulation Series 2006-08 expands on questions dealing with perspectives synthesizing concepts of pictorial space and infinity: something I have worked on over the years. I have allowed painterly abstraction/plasticity to express both in form and content a kind of art that goes beyond a material world of signs; my paintings reach for the infinite—the mystery and the poetry in every man’s individual drama. Though immersed in 20th-century aesthetics, I neither strive for a specific historical movement nor for the postmodernist agenda. Simply, I look at making art as a “fleshy” product of human experience, a resultant of the maker’s time. Just as idiosyncratic nature is blind to causality, an aesthetic frame embraces all its senses and the image is the result or residue.
Autobiographical, ritualistic, or even devotional—in this sense—the image or Kunstgegenstand seeks not to explain what the meaning of experience is; rather, the image manifests itself, provoking interpretation.
There are no outside sources nor preconceived notions of the final composition. Gesturally and intuitively, I use the plane of the canvas as an active platform (in other words, ... |
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explore works by: price - latest uploaded - theme - chronologically - quick thumbs Page 1 of 3: <<
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