Artist Information:
Samuel Monnier
Piscataway, NJ
United States
Member Since: Jul 2009
contact artist
|
|
Artist Statement:
My compositions are instances of algorithmic art, namely art produced by algorithms. An algorithm is a set of unambiguous rules applied to some data to produce a result. The algorithmic artist does not create a work directly, but rather devises an algorithm which will yield a work. My algorithms are executed on a computer, which performs computations and logical operations to produce a digital image.
The resulting compositions are purely abstract. Accordingly, they do not carry any title; a mere number is assigned to each of them for convenience. Yet, they display ubiquous fractal structures which have numerous analogs in Nature. The bark of a trunk, a rocky cliff, the surface of a planet display everywhere details on a large scale range, what makes their visual richness and beauty. I am striving to reproduce this characteristic in the purely abstract context of my works.
To this end, most of my compositions are constructed on the idea of "pattern piling". Copies of a simple pattern are created at various size scales and are merged together. This technique allows to produce images so complex that they could never have been imagined, let alone realized, by a bare human mind. Each of them ...
Further Information
| |
Artist Exhibitions:
Coming Soon!
|
|
Artist Galleries:
Coming Soon!
|
|
Artist Reviews:
Coming Soon!
|
|
Collections:
Coming Soon!
|
|
Commissions:
Coming Soon!
|
|
|
Samuel Monnier's Free Artist Portfolio
Welcome to Samuel Monnier's Portfolio. Browse Monnier's body of work: My compositions are instances of algorithmic art, namely art produced by algorithms. An algorithm is a set of unambiguous rules applied to some data to produce a result. The algorithmic artist does not create a work directly, but rather devises an algorithm which will yield a work. My algorithms are executed on a computer, which performs computations and logical operations to produce a digital image.
The resulting compositions are purely abstract. Accordingly, they do not carry any title; a mere number is assigned to each of them for convenience. Yet, they display ubiquous fractal structures which have numerous analogs in ... | |
|
|