|
|
|
|
|
|
Artist Exhibitions:
SOLO EXHIBITIONS - USA
1998 "Black & White" Fort Bragg, CA
1997 "Landscapes" College of the Redwoods, Fort Bragg, CA
Sometimes It’s Simply Black & White, Wilkes Gallery, Mendocino,
1995 "Bindings" MFA Thesis Project, San Jose State University, CA
MFA Pre-thesis Exhibition, San Jose State University, CA
1993 "Watercolors" The Balcony ...
Further Information
|
|
Artist Galleries:
Online Gallery - FlorenceArtists.com
The Quercia Gallery, Duncans Mills, CA QuerciaGallery.com
...
Further Information
|
|
Artist Reviews:
Coming Soon!
|
|
Collections:
Janet Turner Print Gallery, Chico, CA USA
Bellevue Museum, Bellevue, WA USA
Dr. Elaine Wangberg, CSUC, Chico, CA USA
Cameron Estate, WA USA
Barabara Fry, Corvallis, OR...
Further Information
|
|
|
|
|
Artist Statement for Susan Canavarro
|
|
|
I paint landscapes, but more than that I paint that edge between nature and what we build in nature: bridges, buildings, all architectonic structures. I happen to believe that not everything we construct is ugly, that sometimes it's downright gorgeous, and doubly gorgeous when set against a natural setting - like the Golden Gate bridge set against the wild and often foggy sea, rugged bluffs; or like the crystal clear canals that traverse and adorn California’s great valleys like great satin ribbons; or like the natural light and shadow that plays on a downtown building stunning my eyes; or like the gothic-styled arches of Oregon’s coastal bridges, the structure underneath and above that holds them up, creating windows on water, sand, trees, and souls. I’m fascinated by bridges. A primary element in my painting is simplicity: simplicity of palette, using only four or five colors, and restraint of detail, leaving out all that is not absolutely necessary to the mood and concept of a work. Keeping it simple facilitates my focus on depicting the world as I perceive it - primarily in terms of value relationships and atmospheric light.
Occasionally, I turn my paintings into political commentaries.
I like to work with Acrylic colors and black and white gesso on printmaking paper because of the soft absorbent surface. I enjoy the semi-transparency of the gesso medium.
|
|