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Elzbieta Dymkova Fuchs's Main Portfolio Page
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Artist Information:
Elzbieta Dymkova Fuchs
Ontario, CA
United States
Member Since: Jun 2004
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Artist Media:
Ceramics Handbuilt (2)
Mixed Media (4)
Painting Acrylic (6)
Painting Encaustic (1)
Printmaking Other (2)
Artist Exhibitions:
Education:2001- Bachelor of
Fine Arts in Painting, (cum
laude), La Sierra University,
Riverside , California, USA

Selected Exhibits

Solo Exhibits:

2004-Topos, Window Gallery,
Arts Council to San Bernardino
County, San Bernardino,
California, USA

2003- Paintings and
Installation, Riverside Art
Museum, Mezzonine Gallery,
Riverside, California, USA

2001-Sanctuary, Brandstatter
Gallery, ...

Further Information
Artist Galleries:
Publicworks Gallery,
Redlands
Further Information
Artist Reviews:

Selected Reviews:
2004 "Exhibit at ASCBC"
U-redlands DAily News,
Redlands, USA, May 21, 2004

2003 "Wandamlerei im Haus
Wittelsbach", Bad Aiblinger
Buerer Bote, Germany,
February/March edition, 2003

@003 "Wandmalerie im haus
Wittelsbach", Mangfall Bote,
Bad Aibling, Germany, January
14, 2003...

Further Information
Collections:
Coming Soon!
Commissions:
Selected Commissions;
Haus Wittelsbach, Bath
Aibling, Germany (murals)
Margie and Carl Imthurn,
Forest Falls, California, USA
(environmental outdoor mural)
...

Further Information

Artist Statement for Elzbieta Dymkova Fuchs

Statement by Elzbieta (Lisa) Dymkova-Fuchs

My art explores universal concepts, such as collective traumas, the idea of wholeness as opposed to fragmentation, contemporary validity of historical events, and spirituality as factor of social growth.

Dialectic in nature, fine arts have the potential of facilitating inner dialogue (which is not the chase of thoughts) that may lead to healing.
I am very attached to Joseph Beuys' idea that an artist, like shaman, can explore collective traumas, as well the healing process. In addition, I relate to spiritual traditions in art: Byzantine icons and places of worship, those of the Orthodox Church and Polish syncretic Catholicism, as well Tibetan thankas. Those are symbolic resources from which every individual can learn how to create a space in his or her own mind a mental sanctuary where the process of listening to the inner dialoque can be undisturbed. (For long time I was in direct contact with those cultures and traditions, and they strongly influenced my visual vocabulary). My art is one of many human expressions of such space- the inner sanctuary, the concept of which nurishes emotional and intellectual human needs in every culture of the world.


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