Artist Information:
Ryan Shoda
Kimitsu,
Japan
Tel: 81-439-55-6101
Member Since: Jun 2006
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Artist Statement:
Recommendation ::::
Japanese master Ryan's
abstraction with his super
flat expressions as
a originator.
Since remote antiquity, the
mask, attached to the face, as
a mysterious second skin,
continues to create the
illusion of reality, feeding
upon it and showing it diverse
forms.
He is very personal in his use
of cubism, in his planes and
technique. In the portrait,
the gesture predominates over
the face of the character
portrayed.
Shoda paints the gesture
sometimes with dramatic
intentionaly, like Hokusai.
At the age of sixty, Shoda has
already the mastery of an
authentic creator,
with an open mind to the world
and yet with the same passion
of the masters of long ago.
Now, the world needs to feel
his pure expression of the
humanbeings
in the days of we are not
knowing the way out from.
...
Further Information
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Artist Exhibitions:
BIOGRAPHY AND SELECTED
EXHIBITIONS
RYAN SHODA (real name:TSUNEAKI
SHODA)
1946 Born in Kanazawa City
Ishikawa Prefecture.
1966 Left for France.
1968 Returned to Japan.
1971 Graduated from Kanazawa
Municipal Bijutsu Kougei
Daigaku.(col lege of fine
arts and craft)
1976 Awarded 3rd Best
Prize,Shell Art Contest.
1980 Awarded ...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Jaques
Derrida(philosopher),France
Kameya Museum,Japan
Gunma Prefectural Museum of
Modern Art,Japan
Ishikawa Prefectural Museum of
Art,Japan
Okazaki City Museum,Japan
Kanazawa Municipal Bijutsu
Kougei Daigaku(college of fine
arts and craft),Japan
Peru National Museum,Peru
Peru National Art School,Peru
Japan Peru Culture
Center,Peru
...
Further Information
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Commissions:
Coming Soon!
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Ryan Shoda's Free Artist Portfolio
Welcome to Ryan Shoda's Portfolio.
Recommendation ::::
Japanese master Ryan's abstraction with his super flat expressions as
a originator.
Since remote antiquity, the mask, attached to the face, as a mysterious second skin,
continues to create the illusion of reality, feeding upon it and showing it diverse forms.
He is very personal in his use of cubism, in his planes and technique. In the portrait,
the gesture predominates over the face of the character portrayed.
Shoda paints the gesture sometimes with dramatic intentionaly, like Hokusai.
At the age of sixty, Shoda has already the mastery of an authentic creator,
with an open mind to the world and yet with the same passion of the masters of long ago.
Now, the world needs to feel his pure expression of the humanbeings
in the days of we are not knowing the way out from.
... |
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