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Artist Statement:
“By photographing subjects from extremely close quarters or an unusual angle, common objects are transformed into a (semi-)abstract whole of forms, colors and structures that centre on mood, feeling and emotion. The resulting alienated effect is further enhanced by creating large prints of the images, often using alternative materials or techniques.
The resulting images show the fascinating beauty of imperfection and new wonderful realities hidden in even the most common and simple things that become apparent by looking at it in an new unbiassed way, putting it in a new perspective.
Inspiration is found in the capriciousness and miraculous, intrigueing world of nature and the human psyche.”
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Further Information
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Artist Exhibitions:
August 30, 2008
Kunstmarkt Arnhem, Netherlands
(artfair)
June 1 - July 31, 2008
't Drokje, Wierden, Netherlands
(shared exhibition)
April 1 - July 22, 2008
Xango Music, Utrecht, Netherlands
(solo exhibition)
March 21 - May 5, 2008
JanCeesLont Sfeerboerderij, Nieuwe Niedorp, Netherlands
(solo exhibition)
22 August - 22 November 2007
Vlaszak, Breda, Netherlands
(solo ...
Further Information
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Artist Galleries:
Het Kunsthuis, Netherlands/France
Untitled Gallery, London, UK
Virgin Arty, Tilburg, Netherlands...
Further Information
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Review Floral Abstractions I
We appreciate the impact these prints have and we could only imagine the effect at their actual size, which is quite large, and must certainly be even more impressive.
The extreme closeups have an honesty and directness with no tricks or filters or attempts to make them appear what they are not. The message is in the composition. They arrive very close to being abstract images and can be appreciated for this but the recognition of the forms of Nature gives them a heightened importance.
They also express a fragility and subtlety of color and the attention to detail is exemplary. A crisp, clear presence which struck us as photography, (if a category is needed) and not digital prints, regardless of the process used to realize these works. Mostly this is due to the technical ability which is apparant, and the eye behind the lens and not neccesarily the eye in front of the monitor.
David Genovesi
Director ARTROM Gallery Rome Italy
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