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Sonja Svete's Main Portfolio Page
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Artist Information:
Sonja Svete
Elmwood Park, NJ
United States
Member Since: May 2002
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Artist Media:
Drawing Other (11)
Mixed Media (3)
Other (22)
Pastel (4)
Photography Color (1)
Photography Other (2)
Sculpture Wood (4)
Artist Statement:
The form as a dwelling of
human spirit. Primary medium:
soft pastels on paper.
Figurative-abstract
transactions made in very
controlled manner. Colors are
very personal, drawing is
cleaned of all unfunctional
details.

My first pastel series was
born during last year of
studying fine arts like the
fastest way ...

Further Information
Artist Exhibitions:


SELECTED SOLO EXHIBITIONS

Joy Pastel Series, Po Bota
Gallery, Split, Croatia,
August 2002.

Mater Magna Pastel Series,
Alfa Gallery, Split, Croatia,
1992.

Mater Magna Pastel Series,
Art Gallery, Split, Croatia,
1992.

Mater Magna Printmaking
Series, Art Guard - Croatian
Arts Society, Protiron
Gallery, Split, Croatia,
1992.

Mater Magna Pastel Series,
Zvono...

Further Information
Artist Galleries:
Coming Soon!
Collections:
Coming Soon!
Commissions:
Coming Soon!

Reviews for Sonja Svete:



“ Sonja Svete is, as this exhibition is witnessing, a sophisticated and enlightened creator who has accepted and realized the values of the must – less is more.”

“We are talking about paintings of women nudes, better to say nameless torso’s and body fragments made in the manner of figurative-abstract transactions.
What plains attention in these works is sublimed in the fact that the drawing is cleaned of all unfunctional details, in a solution simplicity which attracts with the concise cleanness of bringing a historically well spread motive dawn to a personal, subjective sign. “

Slobodna Dalmacija (Free Dalmatia) Newspaper, Solo Exhibition Critic, Vinko Srhoj, Croatian Art Critic, 1992.


“The stylish evolution which obviously flows through these here exhibited works presents a paintress as an artist thinking in an artistic continuity. This artistic idea has head and tail, logic and necessary unpredictability.
At present in her artistic view all is concentrated, focused around the nude women body, but not as a goal but as an obligatory, all present mean.
She has reduced the nude to a form which as needed, artistic need, is all the more estranged from recognition.”

Solo Exhibition Catalogue Review, Andro Filipic, Croatian Art Critic, 1992.



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