|
|
|
|
|
|
Artist Exhibitions:
Group Exhibitions: (selection)
Fredrikstad Kunstforening.
1988, 1993
" Fri som vinden." Tromsø
Kunstforening. 1988 "
Vestlandsutstillingen." 1990
" Østlandsutstillingen." 1991
" Høstutstillingen." 1991,
1994
" Krysspunkt." Henie-Onstad
Kunstsenter, Høvikodden. 1991
" Third Annual Amiga Art
Show." Cepa Gallery, Buffalo,
New York. 1992
" Kunstfestival Moss 92." Moss
Kunstforening. 1992
" Norsk Video." Henie-Onstad
Kunstsenter,...
Further Information
|
|
Artist Galleries:
SEEKING GALLERY REPRESENTATION
Østfold Kunstnersenter,
Fredrikstad, Norway
Galleri Graphique, Fredrikstad
Atelier Skaara, Fredrikstad...
Further Information
|
|
Artist Reviews:
Art Attack
Ian Plenderleith finds artists
from Norway and Switzerland
exploring the meaning and
limits of the game (and the
language), while Englishmen
past and present have captured
the game’s historic vistas
From WSC 204 February 2004
The history of football and
art is littered with badly
proportioned pencil ...
Further Information
|
|
Collections:
Nordnorsk Kunstmuseum, Tromsø.
Østfold
Fylkeskommune.Sarpsborg.
Kristiansund Kunstforenings
faste samling.
Rakkestad Kunstforenings faste
samling.
Säffle Kommun, Sweden.
Fredrikstad Kommune.
Fredrikstad.
...
Further Information
|
|
Commissions:
Heggen og Frøland
sorenskriverembede, Mysen.
Borg videregående skole,
Skjeberg.
Bjørneby borettslag, Kråkerøy.
Sunndal Kulturhus,
Sunndalsøra.
Torsnes alders og sykehjem.
Fredrikstad
Psykiatrisk bofellesskap,
Lisleby, Fredrikstad
Myrene Skole Porsgrunn 2006
All commisions Norway.
...
Further Information
|
|
|
Artist Statement for Steinar Rosenberg
|
|
|
When entering the computer graphics arena in 1988 I found that I could still utilize my earlier experience from silk screening on textiles -
and even break new grounds when merging the two technologies.
Now the composition, and the finetuning of the image, was made possible in a faster, cleaner - and even subtler - way.
As time has passed my affection for the continously developing electronic tools has been
on the rise, and those are today my main working tools.
However, no compromize is made during the transfer to the final medium, which may now be nearly any kind of substrate.- Selection depending on motif and size.
Speaking as a computer graphics artist it seems to me that the future, technical possibilities of the final results are indeed limitless.
|
|
send an email
