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Artist Exhibitions:
Celebrate Texas Art 2008,
Assistance League Houston,
Williams Tower Gallery,
Houston TX
Ulterior Motifs A.K.A. Camp
Marfa, The Crazywood Gallery,
Huntsville, TX
Glee at the G (A Group Show),
G Gallery, Houston, TX
Camp Marfa 2007, Building 98,
Marfa, TX, traveled to
Midland, TX
Ulterior Motifs no.10, ...
Further Information
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Artist Galleries:
G gallery, Houston, Texas
713.869.4770
Gallery 101, Houston, Texas...
Further Information
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Artist Reviews:
Landscape is a subject that
offers challenges and
opportunities for the artist
today. One can approach it
naturalistically be assured of
finding an audience. If
however, an artist chooses to
incorporate broader concerns
or approaches such as
abstraction or the inclusion
of social or environmental
elements their task is more
...
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Collections:
Gus Kopriva, Houston, TX, USA,
private
Lester Marks, Houston, TX,
USA, private
Jeff Wortman, Los Angeles, CA,
USA, private
Robert Schiffler, Dayton. OH,
USA, private
Joe Aker, Houston, TX, USA,
private
Peter Balderas, Los Angeles,
CA, USA, private
University of Wyoming,
Laramie, WY, USA,
institutional
Michael Raiford & Todd Logan,
Austin, ...
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Commissions:
Coming Soon!
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Artist Statement for J. Todd Allison
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The most certain statement I could possibly make about my work is that it is saturated with the hunt. Increasingly it is filled with a profusion of imagery from my observations, social interactions and intellectual explorations. My daily journey through the suburban, urban, digital and industrial landscape provides for a multitude of brief visual encounters and all go to question my sense of place and being. I often find myself deconstructing and restructuring my visual experiences only to combine them with modified views and experiences within the visual landscape. My interest is in combining both retinal and sign information into my work to challenge the viewers discerning role of gathering account. The ordinary and sometimes not so ordinary signs, which are observable in our physical, technological and social landscape, are consistently what I find myself scouring through. These signs are vaguely familiar and unresolved due to the relationship they share in their particular surroundings. The results of my efforts serve as narrative spatial consumptions that call attention to the conflict of the sign and retinal information. I find that this un-resting point serves as a visual allegory for others and my own current cultural dilemmas.
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