Artist Information:
Irena Tatiboit
Strasbourg,
France
Member Since: Dec 2007
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Artist Statement:
My way of painting comes from
my experience of movement in
dancing; more particularly
from a technique I have
developed step by step in
order to create new movements
(gestures) when improvising in
dancing. I define this conduct
as a reconstruction of a
deconstructed movement.
Deconstruction is based on the
principle of isolation. This
principle which can be equally
applied to motion, space,
plane depth or to the idea of
emptiness or of fullness
enables to define different
elements which I combine
together in infinite
variations. However this
process is always the result
of an intentional choice. In
order for it to take its full
meaning, the mental demands to
which it obeys must be
submitted to chance. Creation
requires some constraints, and
in my painting water plays
this part. Water permits the
conflicting elements of
reconstruction to reveal
themselves, and to display the
premises of representation.
Paintings are presented on a
piece of wood of variable
thickness. They may be square
or rectangular, one or
two-sided with sliding or
mobile elements. The paintings
may be hung, laid or handled.
Diptychs or triptychs are my
favourite shapes. Most of the
time I use acrylic paint and
cover the edge ...
Further Information
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Artist Exhibitions:
Personal exhibitions
2007 - Le Moulin de la
Wantzenau, Strasbourg
2007 - l'Espace d'Artistes G -
Bertrand Gillig, Strasbourg
2006 - Chambre des Métiers
d'Alsace, Schiltigheim
2006 - Le Moulin de la
Wantzenau, Strasbourg
2006 - Galerie Pierre-Michel
D, Paris
2004 - Council of Europe,
Strasbourg
2003 - Gallery K, Strasbourg
2003 - Art-...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Irena Tatiboit's Free Artist Portfolio
Welcome to Irena Tatiboit's Portfolio.
My way of painting comes from my experience of movement in dancing; more particularly from a technique I have developed step by step in order to create new movements (gestures) when improvising in dancing. I define this conduct as a reconstruction of a deconstructed movement. Deconstruction is based on the principle of isolation. This principle which can be equally applied to motion, space, plane depth or to the idea of emptiness or of fullness enables to define different elements which I combine together in infinite variations. However this process is always the result of an intentional choice. In order for it to take its full meaning, the mental demands to which it obeys must be submitted to chance. Creation requires some constraints, and in my painting water plays this part. Water permits the conflicting elements of reconstruction to reveal themselves, and to display the premises of representation. Paintings are presented on a piece of wood of variable thickness. They may be square or rectangular, one or two-sided with sliding or mobile elements. The paintings may be hung, laid or handled. Diptychs or triptychs are my favourite shapes. Most of the time I use acrylic paint and cover the edge ... |
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Isomeres, 2004
Acrylic Painting,
40 x 45 X 2 inches
Not for Sale
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