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Artist Exhibitions:
NOVEMBER 2010 SAATCHI Artist
of the Week is Ula Einstein
2011
PLANTS IN SCIENCE AND CULTURE:
EVERHART MUSEUM, PA
CONTEMPORARY SOUVENIRS -
Gallery of Contemporary Art,
Sacred Heart Univ., CT
THE BOOK: A Contemporary View
- Delaware Center for
Contemporary Arts
2010
AS YOU LIKE IT - Heidi Cho
Gallery, NYC
URBAN UTOPIA - ...
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Artist Galleries:
PIEROGI 2000 -
Selections of my work on
paper - ONGOING IN THE FLAT
FILES
177 north 9th street
718.599.2144 noon to 6p
friday through monday and by
appointment
Pierogi 2000 is an innovative
art gallery in Brooklyn, new
york
Paris, France - ask me...
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Artist Reviews:
November 2010 /One/
The Journal of Literature, Art
& Ideas. online feature on my
work/One/ -
http://onethejournal.com/
May 2010 Feature Profile:
http://dvisible.com/2010/05/03/
ula-einstein-builder-alchemist-
artist/
NJ.com - the website for all
the major New Jersey
newspapers, produced a short
interview/video about ...
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Collections:
Upon Request
Ula Einstein's artwork is
among collectors
internationally...
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Commissions:
Coming Soon!
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Artist Statement for Ula Einstein
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http://local-artists.org/user/4778
http://www.saatchionline.com/ulaeinstein
http://ulaeinstein (my blog for art updates)
http://ps1.org/studio-visit/artist/ula-einstein
Exploring materials and methods with a very hands-on and lo-fi approach, alternating from micro to macro, there is fluctuating from particle to whole and back again.
I employ materials and tools using their innate characteristics, and also in ways which detour and extend from their original purpose.
Ongoing installations are often rooted in the exploration of physicality and immateriality. They consist of fragments made in the studio, created site-specific for exhibition
The abstractions are influenced from sources as diverse as molecular structure, cells, scratches, spheres, text, skin, the body, landscape, sound, archaeology, hieroglyphics, webs, fossils, impressions, eastern philosophy, architecture, and cave paintings.
The repetitive ritualistic work is a partial response to information overload, multi-fragments, visual stimuli, and distractions - where I desire to hold the infinite complexity. With things changing every second, I remember our interconnectivity and am prompted to respond with an array of gestures, intimate and large, controlled and elastic, reflecting on our vastness.
Through my meditation and deliberation on chance, control and uncertainty, my work is also further stretched by paradox: empty/full, conceal/reveal, shadow/light, rupture/repair, fracture/whole, static/movement.
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contact artist
