|
|
|
|
Artist Statement:
Growing up in Montalivet,
France, along the Atlantic
coast, Christophe Vermare was
raised in a nudist family. He
says growing up like that
helped him to discover the
little magical moments in
life. It wasn't the perfectly
formed Swedish girls who were
sunbathing by him that struck
him so. ...
Further Information
| |
Artist Exhibitions:
Coming Soon!
|
|
Artist Galleries:
Coming Soon!
|
|
Artist Reviews:
Janvier 2009 - Publication in
"Carrie Leigh's NUDE Magazine"
"Winter 2009 issue".
Grand Merci to Chris St James
( www.universdartistes.com)
for his support....
Further Information
|
|
Collections:
Coming Soon!
|
|
Commissions:
Coming Soon!
|
|
|
Christophe Vermare Biography:
| Biographical information for Christophe Vermare can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
|
Age
|
37
|
| |
| Gender |
Male
|
| |
| Status |
not provided
|
| |
| Children |
99
|
| |
| Religion |
not provided |
| |
| Education |
not provided |
| |
| Hobbies / Interests |
not provided |
| |
| Favorite Artistic Medium |
Photography Black and White
|
| |
| Favorite Arthistory Movement |
not provided
|
| |
| Favorite Visual Artist |
not provided
|
| |
| Favorite Work of Art |
not provided
|
| |
| Biggest Artistic Inspiration |
not provided |
| |
| Why Did You Become An Artist |
not provided |
| |
| Your Personal Biography |
Christophe Vermare, French photographer born in 1971, enjoys shifted projection of the reality. Along his university curriculum, he discovered, via the "modern physics theories", some thinking approaches close to his personal feelings. Observations considered more as projection of the "reality" biased by the observer brain and less as absolute facts. He likes the simple idea that everyone is distording the reality around him since he may affect the reality perception of others. This influence depending on the intensity of one believes and dreams.
Granson and son in a Nudist family, Nudity surrounds him since his younger age. His attractiveness for the female bodies and their regular proximities have started, very soon, to induce visions. Always strong, blurry most of the time, these visions have grown, fed by his imagination needs - as it is more important to believe to have seen than "really" saw something.
Frequency and intensity of the visions increase, pushed by their volunteer to exist: Why these weighty forms, these curly reflections, all those curvatures oscillations inducing flows of emotions submerging the mind? Anne, his wife today, will not give any precise answers but she will reduce to its extreme thinness the frontier between perception and imagination.
Then, the use of a camera will transform the vision gathering in quest and Anne in Muse.
Some lights on some forms, Christophe tries to save these frequent but brief instants. It is all about the women body but these visions don't sustain the loneliness of the subject; some life around is required, some objects, a sequence of plans able to change with the view angle. And again no regards, no eyes exchanges, the viewer and his vision are alone.
The prints accumulate; they get organized, classified, gathered into series. Few themes share the space. The child power of imaginaton seems older, the viewer distance is reduced - may be the sight is getting bad. Or, it is simply an evolution: the spectator takes contact, going out his pinhole box, he meets, exchanges, will take in his arms. Anyway, the movement needs to be kept slow, distance must exit in order to better apprehend, better guess, protect the dream existence and the with camera help the gathering continues,
"les Femmes sont belles..." the emotions are here. |
| |
|
contact artist
