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Wayne Sleeth's Main Portfolio Page
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Artist Information:
Wayne Sleeth
Château-Salins,
France
Member Since: Aug 2008
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Photo of Wayne Sleeth, Artist



biographybiography
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Artist Exhibitions:
2010 * Créanto, Créhange
(Faulquemont) (F)

Newcastle-Gateshead Art Fair
(GB), represented by Gate

Gallery


* 'Terra Incognita',
O Petit Bobourg, Metz (F)
Insight 2010:
Gate Group show, Muriel Barker
Gallery,
Heritage Centre,
Grimsby (GB)
Voyages, Rivages
: de la Seille à la Mer du
Nord".Salle
St.Jean,
Château-Salins (...

Further Information
Artist Galleries:
Artist's website :
www.waynesleeth.com

French representative :
TOAST Gallery, Rue de
l'Estrapade, 75005 Paris
www.toastgallery.com

English represenative :
The GATE GALLERY, Brighowgate,
Grimsby
www.gategallery.co.uk

...

Further Information
Artist Reviews:
Coming Soon!
Collections:
1986 Honorary Consul of
Iceland (England)
1991 Deutsche Massiv ImmoBau
(Germany)
2001 Mairie de Lunéville
(France)
2003 Mairie de Morhange
(France)
2004 Association Carrefour,
Metz (France)
2004 The Library of
Congress, Washington DC
(USA)...

Further Information
Commissions:
Mural Commissions

1996 Walkway
Mural for Observatory,
Cleethorpes
Discovery
Centre
1997 Display
and aquarium panels for above
1996 -1999 Murals in
primary and secondary schools
in York,
for City
of York Council Education &
Arts Service
1997- 1999 Mural and
paint decoration of nightclubs

nationally
for InArDec Ltd.
2000 Winterton
Millenium ...

Further Information

Artist Statement for Wayne Sleeth

English painter with the english landscape tradition, Turner, the Camden School and the influence of Rothko in his wake, Wayne Sleeth is installed since 2001 in France with a cross-channel reputation for his work.
His approach is coloured by the open spaces and horizontality particular to both sides of 'La Manche', of maternal Flanders and paternal Lincolnshire. In the artist's own words, these works are 'scapes', neither particularly landscapes not seascapes, nor marines, but anagrams of 'spaces'. There is almost a formal dimension to Sleeth's dealings with what he calls 'synaesthetics of place', particularly in his predilection for square formats, but only the titles (ocassionally) create allusions to a specific location.





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