Artist Information:
William Coronado
guttenberg, NJ
United States
Member Since: May 2005
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Artist Statement:
The “Societal Transmogrification” series of William Coronado is the embodiment of 21st century aesthetics. As a traditionally trained painter, Coronado has transformed his technique and his conceptual ethics into pure forms, which are brilliantly psychological, apathetic, and haunting.
When we look into his subjects, whether they be singular or holistic one may be tempted to feel joy through his use of bright ambient tones and colors. However, when we explore his techniques, his use of fuzzy blurs, and distorted and/or deleted forms, and via his traditional glazing and varnishing; Coronado’s desire for detachment is revealed. What makes his work truly unique is not the selective subjects he presents (which amplify his concepts), but the thoughtful placement of his rendering, which transforms them into fleeting eye candies.
Coronado’s paintings are of a world of advanced technology, a world light years away from modernism, blurred, distorted, and the human subjects in his paintings remain selectively displaced from one another. Coronado is not only an artist of psychological and philosophical tendencies but one of treachery as well. He tricks the eye to be enticed with organized compositions, tones, placement of forms, and of course, joyful colors, then the viewer may ...
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Artist Exhibitions:
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William Coronado's Free Artist Portfolio
Welcome to William Coronado's Portfolio. Browse Coronado's body of work: The “Societal Transmogrification” series of William Coronado is the embodiment of 21st century aesthetics. As a traditionally trained painter, Coronado has transformed his technique and his conceptual ethics into pure forms, which are brilliantly psychological, apathetic, and haunting.
When we look into his subjects, whether they be singular or holistic one may be tempted to feel joy through his use of bright ambient tones and colors. However, when we explore his techniques, his use of fuzzy blurs, and distorted and/or deleted forms, and via his traditional glazing and varnishing; Coronado’s desire for detachment is revealed. What makes his ... | |
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