Etchings / Artist Prints

Page 2 of 5
Tinko Dimov, Cecilia Sassi, Bert Menco, Anita Jovanovic, Bob Filbey, Barbara Jones, Zoja Trofimiuk, Martha Hayden, Juergen W.d. Stieler, Gonzalo Di Paolo, Agnieszka Sukiennik, David Larson Evans, John Booth offering original Etchings artworks.


Contemporary Art / Etchings / Previous / Next
Cecilia Sassi: 'Party at Night at 0:05 AM', 2011 Etching, Surrealism.   Party in the Salt Desert                ...
Surrealism - Etching
9 x 6 inches (22.9 x 15.2 cm)
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Cecilia Sassi: 'Party at 1 AM', 2011 Etching, Surrealism.  Party in Beach               ...
Surrealism - Etching
9 x 6 inches (22.9 x 15.2 cm)
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Cecilia Sassi: 'In the Park', 2011 Etching, Surrealism.  Central Park               ...
Surrealism - Etching
9 x 6 inches (22.9 x 15.2 cm)
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Cecilia Sassi: 'Courtship', 2011 Etching, Surrealism.   Trees engaged              ...
, 2011
Surrealism - Etching
9 x 6 inches (22.9 x 15.2 cm)
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Cecilia Sassi: 'Salt Desert', 2011 Etching, Surrealism.  New life in the desert?            ...
Surrealism - Etching
7 x 2 inches (17.8 x 5.1 cm)
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Bert Menco: 'The Visit', 1989 Etching, Fantasy.  A visitor from beyond, a room walled with some famous people ...
, 1989
Fantasy - Etching
12 x 19 inches (30.5 x 48.3 cm)
Bert Menco: 'Dream', 1978 Etching, Fantasy.  An elderly person dream of his past? The past? ...
, 1978
Fantasy - Etching
9 x 13 inches (22.9 x 33.0 cm)
Anita Jovanovic: 'View through the curtain', 2006 Etching, undecided.  aquatint and linocut  ...
undecided - Etching
48 x 31 cm (18.9 x 12.2 inches)
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Bob Filbey: 'Basilisk', 1989 Etching, Fantasy.   Also available tinted by watercolor ( $275) ....
, 1989
Fantasy - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Barbara Jones: 'Microscope Particle 3', 2009 Etching, Abstract.  An original print based on an electron microscope image of
Abstract - Etching
20 x 20 inches (50.8 x 50.8 cm)
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Barbara Jones: 'Microparticle 1', 2009 Etching, Abstract.  An original print based on an electron microscope image of
Abstract - Etching
20 x 20 inches (50.8 x 50.8 cm)
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Zoja Trofimiuk: 'YOUNG SOCIALIST', 1996 Etching, Abstract Figurative.
Abstract Figurative - Etching
30 x 15 cm (11.8 x 5.9 inches)
Zoja Trofimiuk: 'PAPARATZZO', 2008 Etching, Undecided.
, 2008
Undecided - Etching
30 x 20 cm (11.8 x 7.9 inches)
Bert Menco: 'Deluge', 2004 Etching, Fantasy.
, 2004
Fantasy - Etching
5 x 12 inches (12.7 x 30.5 cm)
Bert Menco: 'Flying Dutchman', 1996 Etching, Fantasy. Title self- explicatory...
Fantasy - Etching
18 x 24 inches (45.7 x 61.0 cm)
Bert Menco: 'Centiment', 2008 Etching, Undecided.
, 2008
Undecided - Etching
3 x 14 inches (7.6 x 35.6 cm)
Bert Menco: 'Golem', 1988 Etching, Fantasy.
, 1988
Fantasy - Etching
12 x 18 inches (30.5 x 45.7 cm)
Bert Menco: 'Behind Walls', 1977 Etching, Fantasy.
Fantasy - Etching
10 x 11 inches (25.4 x 27.9 cm)
Martha Hayden: 'The Gurzon Valley', 2008 Etching, Abstract Landscape.  color acquatint of Rochefort- en- terre, Breton ...
Abstract Landscape - Etching
12 x 12 inches (30.5 x 30.5 cm)
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Juergen W.d. Stieler: 'Traces of Buncefield 2005', 2006 Etching, undecided.  Inspired by the blast of the Buncefield oil depot ( Hemel Hempstead, England) desaster in 2005, I let firefighters collect traces and scratch CDs I sent them ON THE SCENE. the CDs were incorporated as additional printing plates into the copper etching plate. The black ink on the CDs is homebrew...
undecided - Etching
60 x 50 cm (23.6 x 19.7 inches)
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Gonzalo Di Paolo: 'Illay in the forrest', 1999 Etching, Romance. This etching has multiple layers of complexity and shades.Looks beautiful once framed. It could be yours!...
Romance - Etching
10 x 15 inches (25.4 x 38.1 cm)
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Agnieszka Sukiennik: 'my space', 2007 Etching, Other.
, 2007
Other - Etching
210 x 100 cm (82.7 x 39.4 inches)
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Agnieszka Sukiennik: 'my place', 2007 Etching, Other.
, 2007
Other - Etching
210 x 100 cm (82.7 x 39.4 inches)
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David Larson Evans: 'ertica', 2007 Etching, Abstract Figurative.  limited edtion . . hand pulled by the artist ...
, 2007
Abstract Figurative - Etching
24 x 25 inches (61.0 x 63.5 cm)
David Larson Evans: 'mr suthers', 2007 Etching, Landscape.  limited edtion etching. . . hand pulled by artist ...
, 2007
Landscape - Etching
12 x 9 inches (30.5 x 22.9 cm)
David Larson Evans: 'good citizens', 2007 Etching, Abstract Figurative.  limited edtion. . . hand pulled by artist ...
Abstract Figurative - Etching
22 x 9 inches (55.9 x 22.9 cm)
David Larson Evans: 'the clearing', 2007 Etching, Landscape.  limited edtion. . . hand pulled by artist ...
Landscape - Etching
24 x 26 inches (61.0 x 66.0 cm)
David Larson Evans: 'the canopy', 2007 Etching, Animals.  hand pulled by the artist ...
, 2007
Animals - Etching
23 x 9 inches (58.4 x 22.9 cm)
John Booth: 'Reclining female nude', 2015 Etching, nudes. Reclining female nude is an etching drawn from life directly on the steel printing plate....
nudes - Etching
8 x 8 inches (20.3 x 20.3 cm)
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John Booth: 'The Downs from Fulking', 2015 Etching, Landscape. The Downs from Fulking is part of a series of landscapes inspired by the English countryside. The landscapes progress from figurative to abstract as the series has developed. These works are part of an ongoing exploration of landscape art starting with the representational and moving towards a more liberal and ...
Landscape - Etching
11 x 8 inches (27.9 x 20.3 cm)
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(Page 2 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Bert Menco - Though they may seem simple, especially my drawings and intaglio prints but also my paintings are actually quite elaborate; half a year's work on an image is no exception for me. I draw directly or use small sketches, even doodles, as image-generating nuclei, often combining two or three that appear to complement each other. I rarely use concrete references, but rather work from inner visions. I tend to be narrative in my own art, perhaps poetic narrative. I don't see my images as telling a story but rather as reflections of inner feelings, similar to some poetry, and would like observers to read them as such. I like to believe that my work carries a certain mystery. My images are very much "inside out.aEUR? I have usually some idea of what I want to obtain, but much of the image is generated while I draw or paint. The end product always surprises me; I am often amazed that there even is an end product. Analyzing my own art is difficult but I think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite ...

Zoja Trofimiuk - Artisti?1/2s Statement My Art is my Statement. Volume and Space are concepts that have influenced my art. I am particularly fascinated by their appearance in the human body. I am interested in exploring dialogue both internal dialogue, which exists within oneself, and external connection that moves between two people or objects. My art explores i?1/2contradictionsi?1/2 which are attracted to each other and create a new whole. The human figure appeals to me as an adequate form for expressing these ideas. Working with glass has given me the opportunity to stretch the boundaries of these concepts to new limits, as well as offering me the joyful experience of playing with colour. I would like to concentrate my attention on capturing absence, an impression, commemorate memory, fleeing presence, give physical form to a spiritual value. The absence transferred into visual terms, long after it ceased to exist. In both instances, when working with bronze or glass, I apply a casting technique called i?1/2Lost Waxi?1/2. ...

Martha Hayden - My painting is both realistic and abstract, it is on that elusive edge between there and not there. On first look everything is in place, then all dissolves. I want realism and abstraction to take turns. I want a painting sometimes very evocative of time and place, sometimes overwhelming in abstract, structural logic. I look for a surprise, a drama, a different way of seeing. I try not to see anything for itself alone, but as a part of the whole. In this context, my subjects take on meanings other than the accustomed ones. They are more than still life and landscape; they are comments on thinking and seeing. ...

Juergen W.d. Stieler - Born 1955 in the town of the pied piper in Lower Saxony, Germany. I left my home town when I was 21 and live in Flensburg, the most northern German city, next to the Danish border. Drawing, painting and printmaking are the techniques I work in. Recently I experimented upon "collecting traces" and converted them in prints to achieve authentic references of everyday occurrences or remarkable events, e.g. the Buncefield oil depot desaster in England Nov 2005....

David Larson Evans - Without question drawing is the heart and soul of art.Becoming a trained draftsman helps to make us capable of mastering any medium.Studying Art for a lifetime ,from New York to Europe. I have many people to thank for helping make it a lifelong quest.In these etchings I am in search of something simple yet hopefully vital, even perhaps elemental(everyone can respond to something elemental). Clarity is important but by adding a hint of mystery i find it makes a more compelling and pleasing work of art. As a Printmaker it is often most difficult to force a piece of flat metal into a negative of an image that matches the original idea (whats in the had). It is a challenge to say the least. My etchings are always limited to 5o prints or less at which time the plates are defaced(keeping the low edtion size). One excitement of being an artist comes with the start of a new piece. Artist can often find inspiration in the other arts. Lately the opera has peaked some interest along with portrait painting in oils.It is wonderful when we find things that move us. The heart controls many ...

David Larson Evans -