Etchings / Artist Prints

Page 4 of 5
George Kofas, Magdalena Kalinowska, Robin Richard Emrich, Rosalyn M. Gaier, John Booth, Brian Hickey, Przemyslaw Tyszkiewicz offering original Etchings artworks.


Contemporary Art / Etchings / Previous / Next
George Kofas: 'The Blood of Cain', 2011 Etching, Abstract Figurative.                        RomanticismSymbolist ArtAbstractFigurativeabstract figurativeMysticalReligiousChristianInspirational                        ...
Abstract Figurative - Etching
14 x 22 cm (5.5 x 8.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Magdalena Kalinowska: 'Flamenco', 2012 Etching, Dance.
, 2012
Dance - Etching
50 x 66 cm (19.7 x 26.0 inches)
Like It   indepth artwork information   Add To Shopping Cart
Robin Richard Emrich: 'Sabino Canyon', 2001 Etching, Southwestern. Sabino Canyon, Arizona...
Southwestern - Etching
8 x 10 inches (20.3 x 25.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Robin Richard Emrich: 'Footbridge', 2003 Etching, Landscape. Footbridge leading to Hatch Shell at Boston' s Esplance.  Aquatint....
, 2003
Landscape - Etching
8 x 7 inches (20.3 x 17.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Robin Richard Emrich: 'Third Meeting House', 2000 Etching, Cityscape. North Reading ( Massachusetts) historic Third Meeting House.  The First and Second Meeting hourse bruned down.  Th Copula on this one also caught fire at the turn of the century and was rebuilt.  This historic building now is called the Edith O' Leary Senior Center and supports many ongoing services for ...
Cityscape - Etching
22 x 18 inches (55.9 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Robin Richard Emrich: 'Brooksby Farm', 2003 Etching, Landscape. Peabody' s Brooksby Farm.  Pictured with new barn.  Available unframed and also with as a hand Water Colored piece at $275. 00 US.  This piece shows the direction of the artist merging the tight intricate lines of manmade objects ( tha barn) juxtaposed against the random expressive lines of nature ( the ...
Landscape - Etching
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Robin Richard Emrich: 'North Woods', 2002 Etching, Landscape. The North Woods, highly detailed done inthe field using a mirror....
Landscape - Etching
22 x 18 inches (55.9 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Robin Richard Emrich: '54 Turner Street', 1999 Etching, History. The building that was the centerpiece of Nathaniel Hawthorne' s Novel House of Seven Gables.  Second burn....
History - Etching
18 x 22 inches (45.7 x 55.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Robin Richard Emrich: 'Salem Witch House', 1999 Etching, History. The Salem Witch House.  Home to the judge responsible for the the witch craft trial in the 1600' s.  3rd Burn ( no pun intended) ....
History - Etching
8 x 6 inches (20.3 x 15.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Robin Richard Emrich: 'Old South Meeting House', 1998 Etching, History. Boston' s Old South Meeting House.  Where a handful of revolutionists embibed in a hearty draught of ale and decided to have a Tea Party....
History - Etching
8 x 10 inches (20.3 x 25.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Robin Richard Emrich: 'Hancock Towers', 1999 Etching, Cityscape. Boston' s John Hancock Towers.  This is the ghost of a three color print.  The original colors are subtly suggested and much less intense then the original proof.  The Boston Public Gardens and a Swan Boat is in the foreground. This is a unique example from a run that will ...
Cityscape - Etching
18 x 22 inches (45.7 x 55.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Robin Richard Emrich: 'Charles River Boat Club', 2001 Etching, Marine. Boats laid up for their winter rest at the Community Boating Center at Charles River in Boston.  Etching with aquatint....
Marine - Etching
18 x 22 inches (45.7 x 55.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Robin Richard Emrich: 'Southern Pacific No 4501', 1997 Etching, Trains. Etching of the Steam Locomotive Southern Railway Engine Number 4501.Also avaliable as an engraving ( 3x5 for $75. 00US) ....
Trains - Etching
22 x 18 inches (55.9 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rosalyn M. Gaier: 'New Ground III', 2008 Etching, Abstract.  The majority of work on this etching is softground, with additional hardground linework. The artist used acrylic ground and saline copper sulfate etchant, both non- toxic. The paper is Rives BFK. The title references new artistic direction for the artist, as well as the non- toxic print methods used....
Abstract - Etching
5 x 8 inches (12.7 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rosalyn M. Gaier: 'A Thought', 2008 Etching, Abstract.  The majority of work on this etching is softground, with additional hardground linework. The artist used acrylic ground and saline copper sulfate etchant, both non- toxic. The paper is Rives BFK....
, 2008
Abstract - Etching
5 x 8 inches (12.7 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rosalyn M. Gaier: 'Daytime', 2001 Etching, Abstract. Collagraphetching. The first three plates were collages. Final plate was a zinc etching plate.See the printi? 1/2s i? 1/2twini? 1/2, Night Time....
, 2001
Abstract - Etching
24 x 28 inches (61.0 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rosalyn M. Gaier: 'Dress for the Dance', 2000 Etching, Abstract. Etching. Two plates inked intaglio, final plate inked intaglio and relief.Youi? 1/2re dancing before you even get to the dance...
Abstract - Etching
24 x 28 inches (61.0 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rosalyn M. Gaier: 'Nighttime', 2001 Etching, Abstract. Collagraphetching. This was printed identically to Daytime. However, I printed the final plate a second time, inked in the relief method. In comparison, a nice change of mood. ...
, 2001
Abstract - Etching
24 x 28 inches (61.0 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Rosalyn M. Gaier: 'Other Worldly', 2001 Etching, Abstract. Collagraphetching. The first printing was the pale blue background, rolled onto an unetched zinc plate. The next three plates were collages, and the final plate was an etched zinc plate. I see an unexplored planet in this image as easily as I see a new microscopic discovery...
Abstract - Etching
24 x 28 inches (61.0 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
John Booth: 'The Downs 1', 2015 Etching, Landscape. The Downs 1 is part of a series of  landscapes inspired by the English countryside. The landscapes  progress from figurative to abstract as the series has developed. These works are part of an ongoing exploration of landscape art starting with the representational and moving towards a more liberal and emotive ...
Landscape - Etching
8 x 11 inches (20.3 x 27.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
John Booth: 'Two Figures', 2015 Etching, Figurative. Two Figures is an etching  which uses sugar lift methods to create a variety of mark making particular to the traditional printmaking process....
Figurative - Etching
11 x 8 inches (27.9 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
John Booth: 'Dream Of Africa', 2015 Etching, Figurative. Dream Of Africa is one of a series of landscapes inspired by my dreams. The inscrutable workings of the subconscious provide a wealth of imagery for my work. In this series I choose dreams that have inexplicable meanings; the ambivalent nature of the imagery allows the viewer to form their ...
Figurative - Etching
11 x 8 inches (27.9 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
John Booth: 'Dream Of The Sea', 2015 Etching, Figurative. Dream Of The Sea is one of a series of landscapes inspired by my dreams. The inscrutable workings of the subconscious provide a wealth of imagery for my work. In this series I choose dreams that have inexplicable meanings; the ambivalent nature of the imagery allows the viewer to form ...
Figurative - Etching
11 x 8 inches (27.9 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
John Booth: 'Dream In The Woods', 2015 Etching, Figurative. Dream In The Woods is one of a series of landscapes inspired by my dreams. The inscrutable workings of the subconscious provide a wealth of imagery for my work. In this series I choose dreams that have inexplicable meanings; the ambivalent nature of the imagery allows the viewer to form ...
Figurative - Etching
11 x 8 inches (27.9 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
John Booth: 'Dream Of Flying Men', 2015 Etching, Figurative. Dream Of Flying Men is one of a series of landscapes inspired by my dreams. The inscrutable workings of the subconscious provide a wealth of imagery for my work. In this series I choose dreams that have inexplicable meanings; the ambivalent nature of the imagery allows the viewer to form ...
Figurative - Etching
6 x 7 inches (15.2 x 17.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Brian Hickey: 'onemoremouthfulnwewillbehappy', 2019 Etching, Undecided. The title and words etched into the house come from a Desaparecidos song called Greater Omaha. At the time of this piece I was thinking a great deal about where I m from and the general apathy and lack of interest of my hometown community when it comes to supporting ...
Undecided - Etching
6 x 4.5 inches (15.2 x 11.4 cm)
Przemyslaw Tyszkiewicz: 'meteorology of accidental', 2008 Etching, Undecided. Meteorologia przypadkowych halucynacji, 2008, Meteorology of accidental hallucinations, Art- work made by etching and aquatint technique in 2008.
Undecided - Etching
37 x 26 inches (94.0 x 66.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Przemyslaw Tyszkiewicz: 'wroclaw cosmology', 2008 Etching, Undecided. Kosmologia WrocA,awia, 2008, Wroclaw cosmology, Art- work made by etching technique in 2008.
Undecided - Etching
37 x 26 inches (94.0 x 66.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Przemyslaw Tyszkiewicz: 'at dawn a black ocean', 2002 Etching, Undecided. O A>wicie zakwitA, czarny ocean, 2002,At dawn a black ocean blossomed, Art- work made by etching and aquatint technique in 2002.
Undecided - Etching
37 x 26 inches (94.0 x 66.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Przemyslaw Tyszkiewicz: 'magic effects of swallowing', 2003 Etching, Undecided. Magiczne skutki poA,ykania A>wieA1/4ych motyli, 2003, The magic effects of swallowing fresh butterflies, Art- work made by etching and aquatint technique in 2003.
Undecided - Etching
37 x 26 inches (94.0 x 66.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 4 of 5) - MORE ARTWORKS

Artists Describing Their Art:

George Kofas - Throughout history and in all cultures and civilizations, art has reflected either the Earthly or the Spiritual. Specifically in the art of painting, certain artists have attempted to address Spiritual issues and their interrelationship with the Physical, or Natural World. Caspar David Friedrich, Wassily Kandinsky and Mark Rothko were among such artists. All three of these artists were involved in exploratory aesthetic journeys. Such journeys attempted to discover answers relating to questions of origin and state of existence and they sought out such answers within the Spiritual Realm. It is within this tradition, of attempting to explore the Spiritual Realm that my work belongs. It is only through such exploration that answers to fundamental questions related to existence will be found. Art is a vehicle of exploration. It has the capability of exploring the Spiritual and possibly providing for us a greater understanding of our existence. If the only thing art teaches us is related to the world in which we are already aware of, it teaches us nothing. The artist must be capable of discovering aspects of Reality which others are not aware of. Consequently, the artist acts as an intermediary between humanity and the Spiritual. ...

Rosalyn M. Gaier - Beauty. Meditative thought. Nuance. These are subjects of my collagraphs. They take on important implications when examined in light of today's American instant gratification culture. While convenience, speed and availability have become hallmarks of our American way of life and our society's progress, there remains a need for something more meaningful. That something is beauty. From my frame of personal artistic reference, "beauty" involves the viewer by initiating the response of taking pause, suddenly, unawares. Arousing the response from deep within, beauty disarms and fulfills at one and the same time. This elusive beauty is vital nourishment for mind and soul. Does today's American art disarm and fulfill? How well are our minds and souls being nourished? Unfortunately, Americans' appreciation and awareness of beauty are partially numbed by their frenzy experience of instant gratification. Beauty falls prey to the mindset of fast food, "Shop till you drop" and instant access to just about everything. We sacrifice refined taste, uniqueness and rewarded perseverance for what often is ephemeral and not quite satisfying. What this means for artists is that their best pieces can be easily overlooked. Unless relevance and nuance of an artwork can be realized immediately, instant ...

Rosalyn M. Gaier -