Intaglio Prints

Artists Describing Their Art:

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Bert Menco - Though they may seem simple, especially my drawings and intaglio prints but also my paintings are actually quite elaborate; half a year's work on an image is no exception for me. I draw directly or use small sketches, even doodles, as image-generating nuclei, often combining two or three that appear to complement each other. I rarely use concrete references, but rather work from inner visions. I tend to be narrative in my own art, perhaps poetic narrative. I don't see my images as telling a story but rather as reflections of inner feelings, similar to some poetry, and would like observers to read them as such. I like to believe that my work carries a certain mystery. My images are very much "inside out.aEUR? I have usually some idea of what I want to obtain, but much of the image is generated while I draw or paint. The end product always surprises me; I am often amazed that there even is an end product. Analyzing my own art is difficult but I think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite ...

Mircea Popescu - Mircea Popescu Statement In my work time is an active element. I paint like I build a sculpture using simple forms, lines and textures representing days, hours and archetypes such as: books, letters, numbers or primordial elements. The surface; canvas, wood, or paper is painted from dark to light, a technique used in the byzantine art. Using classical principles, the golden section, the structures of my compositions are based on rigorous diagrams of simple geometric figures. Considering that contemporary art is characterized by invention and experimentation, texture becomes an essential element of my paintings that comes naturally from the way the paste is applied, transparent layers of paint creating new surfaces. Light is the most surprising element in my paintings which is a result of my technique; the method I mix the primary colors, pigments and other substances What is interesting, not all of them contain the same light, but all of them radiate energy. ...

Martha Hayden - My painting is both realistic and abstract, it is on that elusive edge between there and not there. On first look everything is in place, then all dissolves. I want realism and abstraction to take turns. I want a painting sometimes very evocative of time and place, sometimes overwhelming in abstract, structural logic. I look for a surprise, a drama, a different way of seeing. I try not to see anything for itself alone, but as a part of the whole. In this context, my subjects take on meanings other than the accustomed ones. They are more than still life and landscape; they are comments on thinking and seeing. ...

Sandra Ramos - For me, making art is a way of communication with all human being and with the future. Through my work I try to express my relation with the political and social contemporary context worldwide. My work is also a reflection about the specific reality of my country. One of the main subjects on my work is the relationship between personal freedom and political power. Thus trough my work I try to make a daily recovery of and individual and social memory tied to everyday overcoming of economical and social uncertainties. My work is highly relating whit the lost utopian feelings and frustration of the socialism-emancipating ideal, which are states of minds very characteristics of the actual Cuban society. I use diversity medias, according to the variety of significance of each work. I have made a lot of etchings prints, using my self-portrait and a XIX century print trying to create a character similar to Alice in Wonderland. This girl has the function of commenting the resent history of my country through popular stories pointed out by texts. In this series I also incorporate classical characters taken from the popular political Cuban caricature, which are symbols of Cuban people ...

Jamshed Aziz - I am texturing the `Herf `(words) of holy book (Ouran) which has all solutions for humanity. Calligraphy in Islam therefore is not just a matter of script it is considered a mystic process of Self discovery, exploring the true geometry of the sprit. I am an artist of modern approach and my art work is embedded in the rich tradition of holy craft. The letters and words are not indistinct, though at places due to the principals color and tone and emphasis, they more from readable to elusive finally letters turn into an image textured by an inner rhythm. ...

Jamshed Aziz -