Artist Information:
Roland Lee
Timsbury,
United Kingdom
Member Since: Jul 2006
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Artist Statement:
I am inspired by movement and growth as revealed in shape and texture. Each pot is a response to an essential character of motion.
Roland’s sculptural themes are developed using the
resilient properties of porcelain, smooth or crank clay, oxidation fired at stoneware temperatures.
Stoneware, crank and raku clay provide a surface resilient enough to both accommodate the structural effects of sculpting and a textured grain to hold different layers of transition metal oxides while they fuse at 1,260 'C. The warm tones of the clay body enhance the russet colours from iron and the blues from cobalt.
Roland exhibits in galleries in the West Country and also with two groups, Trinity (photographic, oil, and ceramic artists) and Hidden Horizons (painters and ceramicists).
Roland works at CanvasnClay with the painter Jackie Gluschke who works in oils and pastels....
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Artist Exhibitions:
TRINITY, 14 - 20 July. 2008
Walcot Chapel, Bath. UK BA1 5UG
capture the moment
An evocative exhibition of paintings and pots
Exhibition October 2nd to 31st 2008
Toll House Gallery, Clevedon Pier BS21 7QU, UK
previous years exhibited at Edgar Modern, Bath.
Hidden Horizons, Bath.
Chippenham Festival....
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Artist Galleries:
The Sadler Street Gallery, Wells, BA5 2RF, UK www.thesadlerstreetgallery.co.u k
Ginger Gallery, Hotwell Road, Bristol. BS8 4UB. UK. Phone: 0117 9292527
2009? Two Dragons [of Bath] twodragonsofbath.co.uk
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Further Information
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Roland Lee's Free Artist Portfolio
Welcome to Roland Lee's Portfolio. Browse Roland Lee's body of work: I am inspired by movement and growth as revealed in shape and texture. Each pot is a response to an essential character of motion.
Roland’s sculptural themes are developed using the
resilient properties of porcelain, smooth or crank clay, oxidation fired at stoneware temperatures.
Stoneware, crank and raku clay provide a surface resilient enough to both accommodate the structural effects of sculpting and a textured grain to hold different layers of transition metal oxides while they fuse at 1,260 'C. The warm tones of the clay body enhance the russet colours from iron and the blues from cobalt.
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