Steel Sculptures / Metal Sculptures

Page 5 of 18
Max Tolentino, Bill Czappa, Asbjorn Lonvig offering original Steel Sculptures artworks.


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Max Tolentino: 'the Picasso Cat ', 2008 Steel Sculpture, Abstract Figurative. steel sculpture in drawn wire.part of new series of abstract scultuptures with a focus on empty spaces. technique  cutting, bending and weldingprivate collection  Mrs. Carolina Occhi...
Abstract Figurative - Sculpture
43 x 53 cm (16.9 x 20.9 inches)
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Max Tolentino: 'Cat Stevens ', 2008 Steel Sculpture, Abstract Figurative. steel sculpture in drawn wire. part of new series of abstract scultuptures with a focus on empty spaces. technique  cutting, bending and welding. Not available, sold to a private collection ...
Abstract Figurative - Sculpture
23 x 33 cm (9.1 x 13.0 inches)
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Max Tolentino: 'the Felix Cat ', 2008 Steel Sculpture, Abstract Landscape. steel sculpture in drawn wire.part of new series of abstract scultuptures with a focus on empty spaces. private collection , Mrs. Rosangela Almeida , top endocrinologist in Braziltechnique  cutting, bending and welding...
Abstract Landscape - Sculpture
16 x 28 cm (6.3 x 11.0 inches)
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Max Tolentino: 'LINES AND SHADOWS ', 2008 Steel Sculpture, Abstract Figurative. steel sculpture in drawn wire.part of new series of abstract scultuptures with a focus on empty spaces. the sculptor aims at representing in abstract form a special couple of friends who are married for fifty years, Mr. Gumercindo Machado and Mrs. Berenice Machadotechniquectting, bending and welding . The sculpture ...
Abstract Figurative - Sculpture
19 x 31 cm (7.5 x 12.2 inches)
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Max Tolentino: 'the Malraux Cat ', 2008 Steel Sculpture, Abstract Figurative.  steel sculpture in drawn wire. part of new series of sculptures with a focus on empty spaces. technique  cutting, bending and welding . Private collection  Dr. Sigfried Spira...
Abstract Figurative - Sculpture
27 x 25 inches (68.6 x 63.5 cm)
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Max Tolentino: 'REAR  WINDOW', 2006 Steel Sculpture, Abstract. Steel sculpturetechnique  cutting, welding and grindingphoto by  www. studiofotografias. com . Not available ...
Abstract - Sculpture
38 x 19 cm (15.0 x 7.5 inches)
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Max Tolentino: 'BRIDGE TO THE INFINITE ', 2008 Steel Sculpture, Abstract.     abstract geometric steel sculpture focusing empty spaces.folding technique .private collection, Dr. Abrahao Salomao Filho, world known  Nephrologist    ...
Abstract - Sculpture
25 x 35 cm (9.8 x 13.8 inches)
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Max Tolentino: 'VICTORs  DOG ', 2007 Steel Sculpture, Abstract.     Steelsculpture : 3 elementstechnique : cutting, welding grinding and spray finishing.photo by: www. studiofotografos. com private collection : Angela Peret , Belo Horizonte     ...
Abstract - Sculpture
17 x 26 cm (6.7 x 10.2 inches)
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Max Tolentino: 'SONG BIRD ', 2008 Steel Sculpture, Abstract Figurative. steel sculpture in drawn wire.part of new series of abstract scultuptures with a focus on empty spaces. technique  cutting, bending and welding. To be ordered ...
, 2008
Abstract Figurative - Sculpture
22 x 33 cm (8.7 x 13.0 inches)
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Max Tolentino: 'el Gato ', 2008 Steel Sculpture, Abstract Figurative.  the original work was a linear drawing which derived to the idea of producing a steel sculpture made of three wire rod elements. the sculpture inspired a second piece which was exhibited in Swiss combined with a poem by Anais Laurent, an important writer and artist now living in Europe...
, 2008
Abstract Figurative - Sculpture
23 x 37 cm (9.1 x 14.6 inches)
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Max Tolentino: 'the van Gogh Cat', 2008 Steel Sculpture, Abstract.   steel sculpture in wire rods.technique : bending , welding, painting.the original work was a linear drawing which derived to the idea of producing a steel sculpture made of three wire rod elements. the sculpture inspired a second piece which be exhibited in Swiss combined with a poem by Anais Laurent...
Abstract - Sculpture
31 x 31 cm (12.2 x 12.2 inches)
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Max Tolentino: 'ORBI ', 2007 Steel Sculpture, Abstract. technique  cutting, welding and grindingPrivate Collection  Geraldo Pinheiro de Assisphoto by  studiofotografias...
, 2007
Abstract - Sculpture
23 x 73 cm (9.1 x 28.7 inches)
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Max Tolentino: 'THOUGHT', 2006 Steel Sculpture, Abstract. Steel sculpture technique : cutting, welding and grinding Credit for the photo : studiofotografias. com...
, 2006
Abstract - Sculpture
20 x 25 cm (7.9 x 9.8 inches)
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Max Tolentino: 'COMPOSITION ', 2007 Steel Sculpture, Abstract Figurative. Steel Sculpture  three elements assembled in a piece constuctivismtechnique  cutting, welding and grinding. Propriety of Mrs. Angelica Ranna Floether Germany Credit for the photo  Fabio Giorgi ...
Abstract Figurative - Sculpture
17 x 33 cm (6.7 x 13.0 inches)
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Bill Czappa: 'men walking on road', 2021 Steel Sculpture, Abstract. This is Van Gogh s  Men Walking on Road  done in nails and tacks...
Abstract - Sculpture
19 x 25 inches (48.3 x 63.5 cm)
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Asbjorn Lonvig: 'popolo', 2003 Steel Sculpture, Abstract. Piazza del Popolo, Rome.Inspired from a mistake. As I left Rome I was sad that I hadn' t seenS. Maria dei Miracoli and S. Maria in Montesanto.The
, 2003
Abstract - Sculpture
0 x 15 feet (0.00 x 4.57 m)
Asbjorn Lonvig: 'V for Venice', 2003 Steel Sculpture, Abstract. Piazza Venezia, Rome.In 2002 I investigated the
Abstract - Sculpture
0 x 100 feet (0.00 x 30.48 m)
Asbjorn Lonvig: 'north', 2003 Steel Sculpture, Abstract. At the motorway E45 to Rome - entering from the north.In 2002 I investigated the
, 2003
Abstract - Sculpture
0 x 90 feet (0.00 x 27.43 m)
Asbjorn Lonvig: 'heavens door for lovers', 2003 Steel Sculpture, Abstract. At Pantheon at Piazza del Rotondo, Rome.In 2002 I investigated the
Abstract - Sculpture
0 x 25 feet (0.00 x 7.62 m)
Asbjorn Lonvig: 'hommage a spain', 2003 Steel Sculpture, Abstract. Spanish Stairs, Piazza di Spagna, Rome.In 2002 I investigated the
Abstract - Sculpture
0 x 60 feet (0.00 x 18.29 m)
Asbjorn Lonvig: 'south', 2003 Steel Sculpture, Abstract. At the motorway E45 to Rome - entering from the south.In 2002 I investigated the
, 2003
Abstract - Sculpture
0 x 90 feet (0.00 x 27.43 m)
Asbjorn Lonvig: 'thanks', 2003 Steel Sculpture, Abstract. Piazza S. Pietro, Rome.In 2002 I investigated the
, 2003
Abstract - Sculpture
0 x 30 feet (0.00 x 9.14 m)
Asbjorn Lonvig: 'sky of nuvona', 2003 Steel Sculpture, Abstract. Piazza Nuvona, Rome.In 2002 I investigated the
Abstract - Sculpture
0 x 120 feet (0.00 x 36.58 m)
Asbjorn Lonvig: 'bridge over troubled waters Haderslev in Denmark', 2003 Steel Sculpture, Abstract. This exhibition is draft samples made to encourage cities etc. to erect hugemetallic sculptures in spectacular places.This exhibition is of images of sculptures and background photos from spectacular placessearched on YAHOO images or AltaVista images.If a photo is subject to copyrighta quote request is forwarded...
Abstract - Sculpture
5 x 60 feet (1.52 x 18.29 m)
Asbjorn Lonvig: 'childhood view at Skyttehusbugten at Vejle in Denmark', 2003 Steel Sculpture, Abstract. This exhibition is draft samples made to encourage cities etc. to erect hugemetallic sculptures in spectacular places.This exhibition is of images ofsculptures and background photos from spectacular placessearched on YAHOO images or AltaVista images.If a photo is subject to copyrighta quote request is forwarded...
Abstract - Sculpture
0 x 60 feet (0.00 x 18.29 m)
Asbjorn Lonvig: 'traeskohage view at Vejle Inlet in Denmark', 2003 Steel Sculpture, Abstract. This exhibition is draft samples made to encourage cities etc. to erect hugemetallic sculptures in spectacular places.This exhibition is of images ofsculptures and background photos from spectacular placessearched on YAHOO images or AltaVista images.If a photo is subject to copyrighta quote request is forwarded...
Abstract - Sculpture
0 x 60 feet (0.00 x 18.29 m)
Asbjorn Lonvig: 'inlet view at Vejle Inlet in Denmark', 2003 Steel Sculpture, Abstract. This exhibition is draft samples made to encourage cities etc. to erect hugemetallic sculptures in spectacular places.This exhibition is of images ofsculptures and background photos from spectacular placessearched on YAHOO images or AltaVista images.If a photo is subject to copyrighta quote request is forwarded...
Abstract - Sculpture
120 x 30 feet (36.58 x 9.14 m)
Asbjorn Lonvig: '4 bottles', 2003 Steel Sculpture, Abstract. This exhibition is draft samples made to encourage cities etc. to erect hugemetallic sculptures in spectacular places.This exhibition is of images of sculptures and background photos from spectacular placessearched on YAHOO images or AltaVista images.If a photo is subject to copyrighta quote request is forwarded...
, 2003
Abstract - Sculpture
0 x 45 feet (0.00 x 13.72 m)
Asbjorn Lonvig: '2 bottles', 2003 Steel Sculpture, Abstract. This exhibition is draft samples made to encourage cities etc. to erect hugemetallic sculptures in spectacular places.This exhibition is of images of sculptures and background photos from spectacular placessearched on YAHOO images or AltaVista images.If a photo is subject to copyrighta quote request is forwarded...
, 2003
Abstract - Sculpture
0 x 60 feet (0.00 x 18.29 m)
Asbjorn Lonvig: 'M at Margraret Halls in Denmark', 2003 Steel Sculpture, Abstract. This exhibition is draft samples made to encourage cities etc. to erect hugemetallic sculptures in spectacular places.This exhibition is of images of sculptures and background photos from spectacular placessearched on YAHOO images or AltaVista images.If a photo is subject to copyrighta quote request is forwarded...
Abstract - Sculpture
0 x 45 feet (0.00 x 13.72 m)
(Page 5 of 18) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...